Lu Han & Shu Qi Interview with Sina Entertainment

Lu Han and Shu Qi (Wang Bo/Photo)

Lu Han and Shu Qi were interviewed by Sina Entertainment

Luhan

　 　
  Green overalls, a green and white plaid casual suit, and a green T-shirt inside. Lu Han appeared in the interview room as an avocado teenager.

  Before the interview began, everyone happily talked about booking the venue to watch "Shanghai Fortress". Many friends around him were already ready to book the venue, but Lu Han smiled shyly: "I won’t pack it myself!" Of course, this would be "complained" by the staff: "You are the male lead, how can you not pack it!"

  At the beginning of the interview, the staff noticed that the collar of Luhan’s T-shirt was a little crooked and wanted to help him tidy it up. Shu Qi next to him took a look and said, "This is the style." Luhan also smiled and said, "Don’t touch me, you took my style away!"

  A small episode, it seems that the aesthetic and tacit understanding of Shu Qi and Lu Han’s brother and sister CP is quite good. Using Shu Qi’s words to describe, "I almost feel that the two of us were born from the same mother, I thought we were born of dragon and phoenix."

  The age difference between the two in "Shanghai Fortress" was a constant cue on the premiere day. When Shu Qi walked out of the interview room, she smiled and said, "Ah, don’t mention the numbers anymore," but sorry, Xiaolang still "made up for it."

  It was not intentional to mention that Lu Han was almost 30 years old, but because the first interview Lu Han gave after returning to China in 2014 was done by Xiaolang. At that time, Lu Han and the reporter were only 24 years old. He did not expect that the second meeting would be five years later, and it was inevitable that he would feel emotional. Sister Shu Qi answered first: "I have gone to five!" Lu Han said that it feels very good to become mature now, and of course I hope that time can be slower.

　 　 　 　Lu Han and Shu Qi (Wang Bo/Photo)

  When Luhan Meets Muse Shu Qi

  "Lively, cute, generous, beautiful and perfect"

  Sina Entertainment: What were your first impressions of each other? What was the first time you met?

  Shu Qi: Where did we first meet? I’ve forgotten.

  Luhan: At the filming location.

  Shu Qi: Really?

  Luhan: Well, I have the impression that because of my Muse, I thought Muse should be cold at first, but later I found that it is actually very lively and cute, which makes the atmosphere of the scene very interesting.

  Shu Qi: I know I want to cooperate with him. In fact, I am very afraid, because I am very afraid of our differences in certain aspects and the differences in the times. Does this feel better? Then I watched that "Run Away Brother" and thought wow, this kid is cool, but when I look at the photos or watch some of his dramas, I don’t think he belongs to a person who runs like this and is so smart. I told him, how is Lu Han so smart? Because when you watch him, you will think he is a beautiful man, he seems to be very quiet, and then when you watch that variety show, you think it is too fun, I want to play with him.

  Sina Entertainment: Has Sister Shu Qi heard Luhan’s songs or watched his stage?

  Shu Qi: Yes, I am at the forefront of the times.

  Sina Entertainment: Lu Han said that Sister Shu Qi is your Muse. What movies do you like about her?

  Luhan: I have seen all her movies.

  Sina Entertainment: Sister Shu Qi tested him on the spot.

  Luhan: But "Shanghai Fortress" is the best. No, no, just kidding, the most anticipated is "Shanghai Fortress".

  Sina Entertainment: What do you most appreciate about Muse?

  Shu Qi: He just said it, cute, lively and generous.

  Luhan: Beautiful. Perfect.

  Sina Entertainment: Did the two of you watch the original book after taking over the roles? In fact, the difference between the two characters in the original book is only one year.

  Shu Qi (pretending to be angry): Now is it? How old do you think we are now?

  Sina Entertainment: No, no.

  Luhan: We are the same age, yes.

  Sina Entertainment: How do you understand the relationship between these two characters?

  Luhan: It won’t be much different from the original, because the screenwriter is also a teacher in Jiangnan.

  Shu Qi: She’s just talking about numbers.

  Luhan: Ah!

  Shu Qi: This is a bit sensitive, but I don’t mind it.

  Luhan: Very good, yes. I think they are all very Jiang Yang and Lin Lan.

  Shu Qi: The most important thing is a role problem, because Lin Lan himself is an officer, and Jiang Yang just joined the gray eagle team, and he is still a soldier. So the gap between the two people is already very big.

  Luhan: The class gap is quite large, and she is my leader.

  Shu Qi: Yes, I think there will be more emotional depictions in the novel, a little more. Then in the movie, this part will be transformed into another one. Because after all, it is still mainly based on science fiction actions, so the emotional aspect will be more restrained.

  Sina Entertainment: In fact, in the novel, their two emotional lines are quite clear. In the end, Lin Lan left a plane ticket for Jiang Yang. Many people think it was a missed love, but the handling in the play may be rather hazy. Do you think the two people in the play are true love?

  Shu Qi: I think it’s my sister’s feeling for my brother. Because I regard him as a very promising child, I feel that if there are still some people in Shanghai who can save the earth, it must be a powerful person, a person like Jiang Yang.

  Sina Entertainment: When the two of you acted, how did you feel about CP between you?

  Luhan: I think it’s pretty good.

  Shu Qi: I almost felt that the two were born from the same mother. I thought we were both twins.

Lu Han and Shu Qi were interviewed by Sina Entertainment

  S********kes "Guardians of the Galaxy" Tree Man Groot

  Luhan’s most memorable "Shanghai Fortress" "Shoot at me"

  Sina Entertainment: When the two of you took on "Shanghai Fortress", science fiction had no particularly successful precedent in China. So I wonder why you were so brave to act in a science fiction film at that time?

  Shu Qi (referring to Luhan): Because there are such actors.

  Luhan: Because of Sister Shu Qi.

  Shu Qi: The most important thing is that when Director Hua Tao himself was preparing this story, he actually prepared for a very long time, and then he wanted to find someone like me who is more familiar and does not need special teaching, and then he said whatever he said, a very good actor. So okay, then I’ll be fine, and I’ll participate in this movie.

  Luhan: Me too. Because after all, it’s the first time that Chinese people make their own sci-fi movies, so I have to come just for this. And Sister Shu Qi is also there, and Director Teng is also there.

  Shu Qi: Yes, I think this kind of big IP movie seemed to be in the mainland at that time, although later there was "Wandering Earth", I would find it very interesting and challenging.

  Sina Entertainment: What was your favorite science fiction movie before? What is your vision of aliens?

  Lu Han: I’m a boy, so I prefer it. Girls should be the same, right? Many people probably like watching science fiction movies. I don’t think it matters what an alien looks like, because he is an alien. There are all kinds of aliens in the fantasy, and there are long and fierce ones, according to their own fantasies.

  Shu Qi: Yes, like the aliens in "Guardians of the Galaxy" is so cute, that tree man Groot. Then the feeling of being in the galaxy, I quite like that movie.

  Sina Entertainment: If today is the end of the world, what will you two do?

  Shu Qi: Hurry up and find my two cats.

  Luhan: I’m home, I’m home now, at home.

  Sina Entertainment: What are you doing at home?

  Luhan: Lie down and wait for the end of the world.

  Shu Qi: Look at which meteorite fell.

  Luhan: Yes.

  Sina Entertainment: So the last thing Sister Shu Qi thought about was two cats?

  Shu Qi: Yes, I’m afraid they’re too lonely.

  Sina Entertainment: In this drama, almost all of your looks are very handsome uniforms. Isn’t it cool to act in uniform?

  Shu Qi: I’m so tired, I think being a soldier is actually quite tiring, because you have to be very upright, and in any state, I think it will naturally bring you an aura. Then I went home and took off my clothes. Alas, I’m actually quite tired, because I’ve been standing upright outside all day.

  Luhan: I don’t even have a hunchback in this dress, because I think a hunchback will make me sorry for this uniform.

  Sina Entertainment: What is your most memorable scene?

  Luhan: I was the one who "fired at me". All my teammates died, and then all my loved ones and loved ones died. I feel that I stood up at that moment and sacrificed myself in order to save all mankind. I think this period is quite impressive.

  Shu Qi: I was also at the last moment. In fact, when we shot all the blue sets, but when I was acting in that scene, I felt that everything appeared in front of you. I should have taken a lot of pictures, and I wanted to cry for each one.

  Sina Entertainment: Did Lu Han feel like crying when he filmed "Shoot Me"?

  Lu Han: I was crying, I was quite worried at first, this emotion is more complicated. That scene was filmed on the last day, so it’s just like the Gray Eagle Squad, I’m familiar with everyone, and then seeing everyone sacrifice one by one, that kind of feeling will be like what Sister Shu Qi said, and some pictures will come to my mind.

  Sina Entertainment: What is the most challenging scene for you? For example, you need to use more experience in processing.

  Shu Qi: Yes, really, it’s hard to act without experience. Fortunately, it’s a newcomer, hahaha. I think their younger generation is actually really good now. They have more contact with mobile games, electric toys, and other things, so they will also have an immersive feeling on the drone shelf. I am used to it because I have shot a lot of blue sets and green sets, so I am very used to it. But your imagination space is very large, because after all, everything is empty. You really need to seriously immerse yourself in a sci-fi world. This is a very fun thing. I feel like a madman, and then sit in an empty place, and then there "Quick, the enemy is coming".

  Luhan: Left and right, come left, come left, go right first.

  Shu Qi: Fortunately, they are all people from the film industry. If a passerby suddenly passes by, he thinks that Lu Han and Shu Qi should take medicine.

Luhan

  Luhan Quick Q & A Time

  "I hope time will be slower in the future, not too fast"

  Sina Entertainment: Will you participate in the music variety show?

  Luhan: Yes, it depends on the time.

  Sina Entertainment: Your music stage fans are waiting to be fed. When will the three rounds be held?

  Luhan: Soon, soon, next year.

  Sina Entertainment: Will next year’s work focus on music or film and television?

  Luhan: Rest next year. No, just kidding. It depends on the situation next year, both sides are focused.

  Sina Entertainment: Can "The Man in the Play" have an MV?

  Luhan: If you have time.

  Sina Entertainment: In fact, I did the first interview after Lu Han returned to China. At that time, neither of us were 25, but now we are almost 30. At this threshold, I am more emotional. I want to know how you feel?

  Shu Qi: I would like to ask, have you considered my existence?

  Sina Entertainment: Sister Shu Qi, you are very young.

  Shu Qi: I’ve been running for five.

  Luhan: In my thirties, I feel that time flies very fast.

  Shu Qi: Cherish it.

  Luhan: Cherish, yes. It’s very good to feel that you are gradually maturing after the end. I hope time will be slower in the future, not too fast, otherwise next time you should ask if you did this interview at the time of 30, and now it will be 40. What do you think? Yes, let time be too slow.

  Shu Qi: Then next time you interview him again, you must not be interviewing, you should be your head.

  Sina Entertainment: Cheng Shu Qi’s sister Ji Yan, I must put this paragraph in.

  Luhan: Yes, you can.

1905 movie network news　On June 13th, the film was premiered in Shanghai. The director, producer, chief producer, actors, Zhou You and Wang Yiquan attended the post-screening exchange activities. The film received enthusiastic response after the premiere of the 77th Cannes International Film Festival, and won the best film in the "One Concern" unit. The film will be shown in national cinemas on June 15th.

"Dog Array" tells the story of Erlang, played by Eddie Peng Yuyan, who was forced to join dog catcher for a living, and unexpectedly saved a black dog labeled as "rabies". The mirror-image situation between the two sides made Erlang and the black dog gradually open their hearts and gain redemption while holding a group to keep warm. In order to cultivate a tacit understanding with the black dog, Eddie Peng Yuyan trained with the dog half a month before joining the group, and took the initiative to adopt Xiaoxin after filming, extending this companionship from the play to the outside.

In order to better integrate into the role, Eddie Peng Yuyan not only shaved his head and hunched his back close to the figure’s appearance, but also overcame his psychological fear to successfully control the motorcycle stunt. He didn’t succeed in the first challenge, and then practiced repeatedly, during which he fell many times. Guan Hu, the director, said that he was afraid that Eddie Peng Yuyan would get hurt, but he was happy to see that he had been insisting on completing this difficult scene alone.

In the movie, Jiro, who was released from prison on parole, returned to his hometown in the northwest and met Tong Liya as his bosom friend Grape. They both lit up each other and explored new possibilities in life all the way. Tong Liya said that she couldn’t find Eddie Peng Yuyan on the first day of joining the group, praising his image as being integrated with the local people in the northwest.

Tong Liya said frankly that what she and Grape have in common is that they are both fearless and straightforward. This time, she is very enjoyable in acting in Northwest dialect, and she also appears with a natural beauty. "People who live in Northwest all the year round will definitely have sunburn on their faces affected by the environment. If they have a beautiful image of makeup, they will be far away from the characters."

Recalling the feeling of watching Dogs in Cannes for the first time, Tong Liya said that she was very moved when she saw her name, the names of the crew and the names of the dogs on the big screen of the Cannes Film Palace, and she was very proud to let more filmmakers around the world see China’s films and get their recognition.

Zhou You plays Jiro’s good friend in the movie. He said, "There are many paragraphs and feelings in the movie that let me explore and discover again, which gives me the courage to go on the road again." There are also surprise guest appearances by filmmakers such as,,, and so on in the film. Guan Hu said that all the actors except director Jia Zhangke came to visit the class and came to help play. This is their fate with this film.

　　As Wu Hequan, an academician of China Academy of Engineering, said, there is no end to human demand for industry and technology. When most people still lack a 5G mobile phone, the leading R&D troops of various countries have assembled in the 6G battlefield.

　　Recently, the news from the website of the Ministry of Science and Technology was screened. The Ministry of Science and Technology, together with the National Development and Reform Commission, the Ministry of Education, the Ministry of Industry and Information Technology, the Chinese Academy of Sciences and the Natural Science Foundation of China, held a kick-off meeting for 6G technology research and development, and announced the establishment of a national 6G technology research and development promotion working group and an overall expert group.

　　However, as Damon, Vice Minister of Science and Technology, said: "At present, the global 6G technology research is still in the initial stage of exploration, the technical route is still unclear, and there is no unified definition of key indicators and application scenarios."

　　6G will not cover blind spots.

　　5G has been commercialized all over the world. According to the law that mobile communication will iterate every 10 years recognized by the industry, 6G will appear around 2030.

　　Yi Zhiling, chief scientist of China Mobile Research Institute, said: "The iteration of mobile communication technology is not solely determined by technology. At present, we don’t know when to deploy 6G, but the iteration time will be shorter and shorter."

　　Wang Xiaofei, a professor at the School of Computer Science and Technology of Tianjin University, said in an interview with the Science and Technology Daily reporter that unless 6G plays an active role in special core fields such as terahertz, aerospace, underwater, physical layer and basic materials, it is meaningless to only improve the speed.

　　According to the description of the world’s first 6G white paper ("Key Drivers and Research Challenges for 6G Ubiquitous Wireless Intelligence") issued by Oulu University in Finland, in addition to the significant improvement of transmission capacity, 6G wireless networks will realize seamless connection between the ground, satellites and airborne networks, instead of being trapped on the ground.

　　"We started the pre-research of 5G in 2011. At that time, 4G was still far from commercialization and was still in the stage of standard implementation." Yi Zhiling recalled that although there were no quantitative indicators and no clear demand for 5G, they already felt the lack of industrial chain, and later the work of 5G was basically implemented along the direction at that time.

　　This is the significance of "pre-researching, developing and using the first generation" in the communication industry. Although many ideas about 6G are still rambling, in order to establish future competitiveness, we must start in advance.

　　The digital world and the physical world have been further opened up.

　　When 6G deeply integrates the digital world with the physical world, many scenes that are still fantasy will become reality.

　　Most performance indicators of 6G will be 10 to 100 times higher than that of 5G, and the highest transmission rate can reach 1Tbps, which means that downloading a movie can be completed within 1 second, while the network delay of 0.1ms is basically imperceptible to human beings.

　　"It is conceivable that more and more things in the 6G era will have endogenous intelligence." Yi Zhiling said, "Now the application of 5G is mainly to connect entities and nodes without intelligence. In the future, maybe everyone has a virtual twin, maybe some of us will be virtualized, and it will be a new world. "

　　Research in the industry has outlined a variety of potential 6G application scenarios, and the augmented reality (XR) application, which combines virtual reality (VR), augmented reality (AR) and mixed reality (MR), is the most talked about.

　　The virtual things it creates in the real environment can change with people’s will, which can make geographically dispersed people feel like they are in the same space, and the equipment and senses are seamlessly connected, so that remote holography becomes a reality. As a result, distance education, collaborative design, telemedicine, telecommuting, advanced 3D simulation and training and national defense applications have a deeper imagination.

　　Yi Zhiling said: "5G will change the society, and 6G will bring the combination of the physical world and the virtual world. This trend is what everyone expects and thinks will happen. However, it is hard to say how large and to what extent it will develop in the next 5 to 10 years, and whether everyone has a digital twin on the cloud. Not only technology, but also morality and ethics. "

　　What is certain is that if all kinds of imaginations come true, we need a more powerful network, which is difficult for 5G to carry.

　　Related technologies need to be tackled by national groups.

　　After experiencing "1G blank, 2G following, 3G breakthrough, 4G parallel and 5G leading", China has made greater achievements in the 6G field, which is obviously not only the goal of the communication industry.

　　Nowadays, the United States, China, Japan, South Korea, Finland and other countries have all set foot on the 6G R&D track, and scientists are trying to find a clear development path for 6G. Zhong Zhangdui, a professor at Beijing Jiaotong University, stressed that the new generation of technical standards needs top-level design and concept definition. In the research and exploration stage, it is first necessary to find out what 6G is and where it comes from.

　　Wang Xiaofei believes that the core technology needs to invest a lot of money, which must be the national behavior of organizing a group, especially 6G. Many directions it aims at have strong strategic significance, and it must rise to the national strategy. He said that the pre-research of many basic cores may not land on 6G. Like the previous generations of mobile communication technology, many participants will be eliminated. Now there are few truly 5G core technologies in the world, and it will be even rarer by 6 G.

　　But if you don’t research and develop in advance, the next generation of standards will come out, and you may not even be able to make the previous generation of products.

　　Ziguang Zhanrui, who participated in the specific research work of the technical subgroup of the 6G technology research and development promotion working group, has been the first to announce that it will start the pre-research and reserve of 6G related technologies, explore the potential key technologies of 6G, such as terahertz communication, orbital angular momentum, very large-scale antenna system, very Qualcomm coding and decoding, and integrated communication network between heaven and earth, and formulate the development and promotion plan of 6G technology prototype.

　　It is understood that the Ministry of Science and Technology, together with relevant departments, will organize an overall expert group to systematically formulate the research and development plan for 6G technology, carry out pre-research on 6G technology, and explore possible technical directions. Through the system layout of 6G technology research and development, a series of basic theories, design methods and core technical problems in the field of mobile communication and information security are condensed and solved, and breakthroughs are made in basic research, key technologies, standards and specifications. (Science and Technology Daily reporter Liu Yan Cui Shuang)

Abdominal obesity, also known as central obesity, refers to the accumulation of fat in the abdomen, which shows an increase in waist circumference. So, how should abdominal obesity self-test? The doctor said that the male waist circumference ≥ 90 cm, female waist circumference ≥ 85 cm, it may belong to abdominal obesity. Abdominal obesity is harmful to the body, not only easily causing fractures, but also easily causing cardiovascular and cerebrovascular diseases, such as coronary heart disease and cerebral hemorrhage. (Proofreading/Li Yingzhuo)

Source: CCTV: "Life Circle"

In July, the trade of Chinese herbal medicines should have entered the off-season, but this year, the price has remained high since the beginning of the year.

　　In addition to the natural climate and other factors, many people in the industry pointed out that the intervention of hot money is the main reason to promote the current round of high prices of Chinese herbal medicines. Lily li, Secretary-General of Chinese Herbal Pieces Branch of Sichuan Pharmaceutical Industry Association, said that generally speaking, the price increase of Chinese herbal medicines is cyclical, and the price increase of individual varieties is more common. But this year, Ophiopogon japonicus, Codonopsis pilosula and Bulbus Fritillariae Cirrhosae, which are widely used in traditional Chinese medicine, are on the rise, and Cordyceps sinensis, which has a high unit price, has also increased by 30% compared with the same period last year. According to his rough statistics, among more than 300 commonly used varieties of Chinese herbal medicines, 200 have different increases.

　　"At present, it is obvious in the market that Chinese herbal medicines are driving up prices." Liu Xu, a special researcher of Tsinghua University National Institute of Strategic Studies, told the Chengdu Business Daily-Red Star journalist that relevant departments can investigate some malicious speculation and hoarding according to the price law and anti-monopoly law.

　　"I haven’t seen this kind of increase in 40 years."

　　More than 200 medicinal materials have increased by more than 50%, and some drug dealers have lost money to deliver.

　　Under the influence of high temperature and rain, June and July are generally regarded as the off-season of Chinese herbal medicine trading in the industry. However, this year, the prices of various Chinese herbal medicines have remained high since the beginning of this year. "Commonly used large varieties of medicinal materials are on the rise, and local angelica has risen from one kilogram in 60 yuan to one kilogram in 200 yuan; One kilogram of codonopsis pilosula in 80 yuan has now risen to 220 yuan, and Shayuanzi has increased tenfold. " An old Chinese doctor in the Southwest Chinese Medicine Clinic lamented: "It’s not normal. I have never seen this kind of increase in Chinese medicine for 40 years."

　　The business of the Chinese herbal medicine market has also been affected. In Qingping Chinese herbal medicine wholesale market, the price of Angelica sinensis has risen to 300 yuan per kilogram. Mr. Li of Qingping Market Medicinal Materials Company told Chengdu Business Daily-Red Star News reporter that since the price increase, the business has also become weak. According to Mr. Li’s estimation, the wholesale volume of angelica in the store has fallen by more than half.

　　From the origin and storage base of Chinese herbal medicines, to the wholesale market, and then to the whole industrial chain of Chinese herbal medicines entering hospitals and clinics, the impact of rising prices has been felt, and even some pharmaceutical companies that signed procurement contracts at the beginning of the year need to deliver at a loss. The person in charge of the pharmaceutical industry of a Chinese herbal medicine factory engaged in export business introduced that the Chinese herbal medicine factory generally measures the scale of procurement and production through customer orders. At the beginning of the year, after the factory prepared the annual consumption of about 20 tons of angelica for customers according to the practice of previous years, I didn’t expect to catch up with the price increase of angelica. Now there is still a gap of 5% to 10% of angelica in the factory. In order to deliver on time, the factory considers buying raw materials such as angelica at a high price. "A better decoction piece factory can only make a little profit, and some factories have to deliver when they lose money."

　　China association of traditional chinese medicine reported in June that in Bozhou, Anguo, Yulin and other major trading markets, more than 200 conventional varieties increased by more than 50% annually, 100 conventional varieties increased by more than 100% annually, and 25 commonly used bulk medicinal materials increased by more than 200% annually. The reporter checked the Chinese herbal medicine market of Chinese herbal medicine Tiandi. com and found that the prices of common Chinese herbal medicines such as Angelica sinensis, Bupleurum, Codonopsis pilosula, Glycyrrhiza uralensis, Astragalus complanatus, Paeonia lactiflora, Atractylodes macrocephala and Forsythia were among the top gainers.

　　On July 12th, lily li, Secretary-General of Chinese Herbal Pieces Branch of Sichuan Pharmaceutical Industry Association, also told reporters that generally speaking, wholesale channels (such as Chinese herbal medicine purchasing terminal and Chinese herbal pieces factory) are the first to feel the price increase of Chinese herbal medicines. "The most fierce rise is the unified angelica, which has probably increased by 260% so far."

　　Who is the "initiator"

　　People in the industry call the influx of hot money speculation, "like stock speculation."

　　What is the reason for the price increase of Chinese herbal medicines? According to lily li, from the analysis of natural climate, reducing production is one of the reasons leading to the price increase. Affected by high temperature and other factors, the bolting rate of Angelica sinensis is high, and the leaves are long and the roots are not long, which affects the quality and yield of the effective parts of the roots. After the planting cost increases, growers switch to other Chinese herbal medicines, resulting in reduced production.

　　A Chinese herbal medicine dealer in Min County, Gansu Province, the main producing area of Angelica sinensis, also told reporters that when the market was good, the yield of Angelica sinensis per mu was 400 kg/mu, compared with only a few tens of kg last year, because the bolting rate of Angelica sinensis seedlings was too high. "The cost of an acre of land has also risen from more than 2,000 to more than 10,000, and many growers don’t want to plant it."

　　Lily li pointed out that in recent years, the output of Chinese herbal medicines has decreased, while the processing cost and manpower transportation cost of Chinese herbal pieces factory are increasing.

　　In addition, many people in the industry pointed out that hot money is the main driver of the current round of high prices of Chinese herbal medicines. Lily li also introduced that, generally speaking, the price increase of Chinese herbal medicines is cyclical, and the price increase of individual varieties is more common. But this year, the consumption of Ophiopogon japonicus, Codonopsis pilosula, Astragalus membranaceus and Fritillaria cirrhosa is increasing, and Cordyceps sinensis, which has a high unit price, has also increased by 30% compared with the same period last year. According to rough statistics, among more than 300 commonly used varieties of Chinese herbal medicines, 200 have different increases.

　　Jia Haibin, Deputy Secretary-General of the Special Committee for Breeding of Chinese Medicine Association, said in an interview that since the second half of 2020, the domestic prices of Chinese herbal medicines have started to enter a continuous rising channel, with a large increase and a long rising cycle, which is extremely rare in the history of Chinese herbal medicines with data records. Jia Haibin said that in the past three years, the prices of many varieties such as Shayuanzi, Longgu, Guanhuangbai and Ziziphus jujuba have doubled. "Whether it is the planting area or the weather, there are data to check, which are within the normal range. The price increase of Chinese herbal medicines in this round is not normal. "

　　"It’s the funds that enter the market to stock up and speculate, which is as high as stock trading." A dealer who has been receiving goods in Gansu, Qinghai, Henan and other traditional Chinese medicines for many years revealed that, just like the speculation of Sanqi more than a decade ago, many capitals chose several traditional Chinese medicines with relatively concentrated production areas, such as Angelica sinensis, Codonopsis pilosula, Astragalus membranaceus, etc.: "The way of speculation is to give money without picking up the goods, but only to speculate among various frozen warehouses."

　　According to the president of Yuzhou Pharmaceutical Chamber of Commerce, when he went to the country of origin to get medicine this year, he found many unfamiliar faces, many of whom were real estate bosses or coal bosses. After purchasing medicinal materials, they all hoarded them, and the lower they went, the higher they went. "In April this year, I went to Shanxi to purchase medicinal materials, and I happened to meet a coal boss who was also purchasing. He bought hundreds of tons of a variety of Bupleurum. "

　　Bozhou, Anhui Province is the base with the largest storage capacity of Chinese herbal medicines in China. When the reporter randomly asked whether there were any remaining medicinal materials in several freezers in Bozhou on the grounds of wholesaler’s inventory, many cold storage staff said that there were no vacancies. "The cold storage is basically medicinal materials, and there are fewer warehouses, and the storage price has nearly doubled."

　　"At present, it is obvious in the market that Chinese herbal medicines are driving up prices." After comprehensive analysis, Liu Xu thinks that apart from weather and other reasons, most of the reasons are that wholesalers are jointly hoarding — — Because the purchasing ability, storage ability and sales ability of a single wholesaler are limited, once a large wholesaler takes the lead in releasing inventory in multiple categories, the whole price can come down. However, the current situation is that Chinese herbal medicines have continued to rise and run at a high level since the beginning of the year. "Without collusion between wholesalers, it is difficult to achieve." To this end, Liu Xu has repeatedly said, "It is suggested to investigate whether there is hoarding speculation and conspiracy to price behind the rising prices of Chinese herbal medicines year after year."

　　Industry moves to contain

　　The Chinese Medicine Association called for the prohibition of price gouging and the launch of the "Chinese Medicine Production and Marketing Consortium Action"

　　Major medical associations in China have also voiced their voices. Since June, the Professional Committee of Chinese Herbal Pieces of Jiangsu Pharmaceutical Industry Association, Guangdong Pharmaceutical Industry Association and Bozhou Chinese Herbal Pieces Industry Promotion Association have submitted the Report on Abnormal Market Price Growth of Chinese Herbal Medicines to china association of traditional chinese medicine successively, arguing that there are social hot money or dealers who jointly hoard Chinese herbal medicines, and the prices of Chinese herbal medicines have soared abnormally.

　　On June 22nd, china association of traditional chinese medicine reported to state administration of traditional chinese medicine the "Investigation Report of china association of traditional chinese medicine on the Recent Abnormal Price Rise of Chinese Herbal Medicines", calling on relevant state departments to issue policies and take effective measures to maintain the market price stability of Chinese herbal medicines and ensure the healthy, orderly and high-quality development of the Chinese medicine industry.

　　On July 8, china association of traditional chinese medicine once again issued a proposal to all units, saying that the market of Chinese herbal medicines has been fluctuating abnormally recently, and resolutely opposed and never participated in any improper or even illegal acts that disrupted the market order of Chinese herbal medicines, such as price gouging and manipulation, speculation and speculation.

　　On July 11th, Shandong Internet Traditional Chinese Medicine (Materials) Trading Center issued the "Initiative on Promoting Direct Supply and Direct Sale of Chinese Herbal Medicines and Pieces and Curbing Unreasonable Price Increase", saying that some medicinal materials have been brought with strong financial attributes, and the healthy development of the industry has been seriously impacted. Behind this round of sustained price increase, the reasons are not only the imbalance between supply and demand of some varieties, the reduction of production due to weather, and the improvement of drug standards, but also the wanton speculation of hoarders, which further aggravates the imbalance between supply and demand. Shandong Internet Chinese Medicine (Materials) Trading Center decided to launch the "Chinese Medicine Production and Marketing Consortium Action" to ensure the direct supply of Chinese herbal medicines and pieces.

　　The regulatory system of traditional Chinese medicine faces challenges

　　Experts suggest public investigation.

　　According to Cao Haibin, deputy secretary-general of the Special Committee of Breeding and Breeding of Chinese Medicine Association, this price increase is undoubtedly a challenge to the current Chinese medicine supervision system. The reasons for this round of soaring prices of Chinese herbal medicines are extremely complicated, and it is urgent to improve the top-level structure and reconstruct the industrial interest pattern.

　　Liu Xu believes that relevant departments can investigate malicious speculation and hoarding according to the price law and anti-monopoly law. "If there is collusion, information exchange and collaboration between wholesalers of Chinese herbal medicines, it is equivalent to a monopoly agreement, and the anti-monopoly law should be applied to regulate it. If it is independent decision-making, you can also consider applying the price method. Because the price law applies to all acts of arrogance and hoarding, the two laws can be said to be complementary. "

　　Liu Xu introduced that Chinese herbal medicines have not received enough attention because of their scattered origin and market and long-term free competition. However, this year’s rally has not only appeared in one area, but more than 100 kinds of Chinese herbal medicines have increased in price in Anhui, Gansu, Henan, Chongqing and even the whole country. "From the perspective of anti-monopoly law enforcement, even if one of the 100 Chinese herbal medicines is due to hoarding and price increase, it is also a punishment." Liu Xu said.

　　Liu Xu pointed out that, generally speaking, the public concern or organization warning of law enforcement agencies will have a deterrent effect on all kinds of price manipulation in the market. However, in order to help the Chinese herbal medicine industry to restore normal market competition, it is necessary to open a case for investigation in a timely and decisive manner, severely punish monopolistic behavior and price violations according to law, and confiscate illegal income, so as to make an example for others. Only with stable drug prices and sufficient supply can growers, wholesalers, Chinese herbal medicine enterprises and medical enterprises in the industrial chain form reasonable expectations, and the Chinese herbal medicine industry can achieve long-term healthy development.

　　A positive signal is that china association of traditional chinese medicine said recently that the Association is cooperating with the competent authorities to carry out an investigation on the price issue.

　　guide reading

　　On April 13th, 1939, The Yellow River Cantata premiered in Yan ‘an. This symphonic epic, composed by the poet Guangweiran and the musician Xian Xinghai, has spread the roar of the Chinese nation throughout China and even the whole world.

　　On April 13th, 80 years later, on the stage of the second season of the large-scale poetry and cultural music program "Classic Chanting" broadcast by CCTV-1, the singers of different times sang this "national strongest voice" during the Anti-Japanese War again.

　　"A country and a nation cannot live without a soul." General Secretary of the Supreme Leader said this when attending the joint meeting of members of the cultural, artistic and social sciences circles at the second session of the 13th Chinese People’s Political Consultative Conference. The Yellow River Cantata, with the Chinese nation’s mother river as the creative background, integrates folk songs and folk music representing excellent traditional culture. As the horn of national spirit, it is always inspiring and enduring from generation to generation, just as the soul of a nation exists in the hearts of generations.

　　The Media Tea Party holds that, after a lapse of 80 years, the stage of "Classic Ode" reproduces this magnificent national epic, and leads the public back to the years when passion is burning with a spiritual dialogue that spans time and space, reminding the public not to forget the spirit of fighting dangerous beaches and waves and the unyielding integrity. By inspiring the cultural identity of Chinese sons and daughters, it encourages the public to gather strength and step on the sonorous drums to move towards a better future.

　　Emotions that make you cry,

　　Called "pure heart" and "national soul"

　　"A chorus can top 100,000 muskets" — — This comment refers to The Yellow River Cantata. In do or die, where the nation was in peril, Xian Xinghai wrote music in a vertical stroke and roared for the war of resistance.

　　On the stage of "The Classic Ode", four The Yellow River Cantata singers of different times performed this magnificent epic together. They are: Li Yifei, a 98-year-old Yan ‘an Luyi student, who was a member of the choir when her work was first performed; Jie Bing, a 97-year-old veteran of the second anti-enemy drama team, The Yellow River Cantata developed from this drama team; Mr. Qu Xianhe, 75, is one of the restorers and reciters of the third paragraph of how the Yellow River’s waters move out of heaven after the founding of New China. There is also Mr. Yu Feng, the 55-year-old dean of the Central Conservatory of Music and a well-known conductor, who re-sang the "Yellow River" spirit of Yan ‘an Luyi in the new era.

　　In the program, the singer’s voice is sonorous and heroic in his old age. As Mr. Liao Changyong, a member of the appreciation group of "Classic Ode", said: "How many people embarked on the revolutionary journey by listening to this song, and how many people went to the front line by listening to it and gave their lives to the country and the nation. This work has accompanied us in China for 80 years, which is not only a musical position, but also a spiritual position, which is supreme."

　　This year marks the 70th anniversary of the founding of New China. After 70 years of hard work, great changes have taken place in China. No matter in the history of the Chinese nation or in the history of the world, this is an epic of earth-shaking struggle. Looking back at the history of our country and reliving the unforgettable national memory, culture is undoubtedly the most resonant, penetrating and infectious carrier.

　　Media Tea Party believes that as a program that deeply cultivates Chinese excellent traditional culture, Classic Ode to the Spread pays special attention to seeking a breakthrough in conception this year, strengthening the modernity and fashion of classic poetry through new melody editing, song interpretation and mass communication, and deeply excavating the contemporary value and world significance of China’s excellent traditional culture. The new interpretation of The Yellow River Cantata in the program vividly reflects the struggle practice of the Party and the people in the form of music, and at the same time, it encourages all Chinese people to carry forward the past and struggle.

　　The reason why classics are not old,

　　Because it is rooted and continues the blood of culture.

　　"When we hear this song again, we will still be excited by the blazing patriotism in the song. Recalling the past, the road ahead is far away, and our generation shoulders heavy responsibilities and lives up to good times! " After this issue of "Classic Chanting" was broadcast, an audience left a message like this.

　　From war to peace, from weakness to prosperity, from humiliation to revival — — For today’s public, the memory of the times represented by The Yellow River Cantata seems to have been "yellowed" for a long time, but why does this revolutionary symphonic epic always haunt the public’s mind, and every time it is heard or sung, it will arouse such a strong spiritual resonance?

　　The Yellow River is the cradle of the Chinese nation. It has nurtured Chinese civilization and nurtured Chinese children. Throughout the ages, literati in all previous dynasties regarded the "Yellow River" as a symbol of heroic and unyielding national spirit. This irreplaceable totem significance has already penetrated into the bone marrow of Chinese children — — No matter where we are, it is not blood that flows in our veins, but the water of the Yellow River.

　　The Media Tea Party noticed that many viewers enjoyed the third movement of The Yellow River Cantata for the first time because of the classic chant, which was a recitation of a poem with music, beginning with Li Bai’s classic poem "how the Yellow River’s waters move out of heaven". At that time, Mr. Guangweiran complained bitterly about the national disaster with nostalgia and praised the heroes of the times, which made this work with the "Yellow River" as the spiritual carrier have unprecedented depth and vastness.

　　Classics can talk to the past or wave to the future. Therefore, every time the The Yellow River Cantata resounds, a mighty national memory will flow in our mind, and the roaring of the Yellow River, which has been baptized by war, has multiplied the inspiring power. This long-standing cultural identity is unforgettable and unswerving. The Yellow River Cantata is reappeared in Classic Poems, in order to make the water of the Yellow River surge in our hearts forever, and provide a strong spiritual incentive for moving forward.

　　"Eighty years ago, the Yellow River roared, sending out the voice of national salvation; Eighty years later, the Yellow River roared and sounded the horn of the great rejuvenation of the nation. "This is the simple voice shared by the 98-year-old Li Yifei.

　　Zhang Andong, the son of Mr. Guangweiran, also said with emotion in Classic Ode: "A foreigner says that a nation that can create The Yellow River Cantata is an unyielding nation. What I want to say is that a nation that can continue to perform this work for 80 years is a great nation; A nation that can continue to inherit the spirit of The Yellow River Cantata should be a nation that creates brilliance. "

　　Bacon casts souls,

　　Literary and art workers should be portraits, biographies and virtues of the times.

　　In 1939, when Xian Xinghai was visiting a young poet lying in his hospital bed, he heard the recitation "Ode to the Yellow River" about the roaring and rushing of the Yellow River, and immediately his thoughts surged and he completed the The Yellow River Cantata.

　　The reason why this work is awesome lies not only in the content itself, but also in the hardships and sincerity of behind-the-scenes creation. In the past, artists of the older generation in Yan ‘an used petrol cans as bass, tea pots as percussion music and bullet casings as sound flutes & HELIP; … In the extremely simple environment, they played a voice for the public with their heart, affection and hard work, and deeply engraved their works in the memory of the times of all Chinese people.

　　At the first performance, the auditorium was very small, and a program had to be performed 17 times before the audience could watch it in turn. Many times, they climb mountains and perform for soldiers, militiamen and women on earthen platforms.

　　"Classic Chanting" shows the musical instruments found in Harbin Conservatory of Music and used in that year’s performance. When the copied "oil drum bass" was played on the stage, the timbre was so clumsy, but everyone fell silent. The program sensibly makes everyone realize that the artists of that year were performing the sacredness in their hearts and expressing their love in flames under what difficult conditions. Li Yifei proudly said: "This is the creation of our musicians!"

　　The Yellow River Cantata’s "roaring" again is an inspiration in revisiting and a torture in contemplation. Any nation can not achieve national prosperity and stand among the nations in the world without the active guidance and strong support of its own excellent culture — — Do today’s cultural and literary workers really shoulder the important responsibility of enlightening thoughts, cultivating sentiment and moistening the soul, and truly undertake the mission of the times of educating people with culture, educating people with literature and cultivating people with literature?

　　Mr. Xian Xinghai once said: "Our folk songs are not folk tunes, but people’s songs." Today, this still guides our artistic creation: only when the works are closely combined with a country, a nation and an era can we truly have the vitality that reaches people’s hearts and surges.

　　According to Media Tea Party, programs like Classic Chanting not only show the influence of traditional culture on Chinese people in the contemporary era, but also strengthen Chinese’s recognition of the culture we have inherited for many years. The new era calls for outstanding writers, artists and theorists. Literary and artistic creation has a vast space, and it insists on keeping pace with the times, taking the people as the center, dedicating people with fine products, and leading the fashion with mingde — — We expect more "The Sound of Endeavour" to be sung constantly, and become the next classic that will be circulated forever in the sigh of the times.

On July 8, another brand-new masterpiece of light-chasing animation landed in the "summer file" in 2023 on time, adding another cornerstone to the road of the rise of the country. Unlike the previous series of films "The White Snake Universe" and "The Goddess Universe", "Three Wan Li in Chang ‘an" pays more attention to historical facts. With the narrative strategy of the intersection of reality and reality, the multi-dimensional characters and tang style’s aesthetic style, the creative team wrote the epic of the rise and fall of the Tang Dynasty and splashed ink to describe the feelings of Chang ‘an and Wan Li.

Narrative strategy of the intersection of reality and reality

The story of Three Wan Li in Chang ‘an begins in the border area with crisis after An Shi Rebellion. At that time, Cheng Yuanzhen, a military supervisor, proved Gao Shi’s loyalty and patriotism and led him to recall his life with Li Bai. At this point, the main plot is unfolded in the poem "Mochow has no confidant in the road ahead, and no one in the world knows Jun". The ancient and the present, the virtual and the real together constructed the history of the Tang Dynasty from prosperity to decline, and the truth, falsehood and all kinds of changes during this period were also free for later generations to comment. This arrangement not only gives the audience a sense of participation, but also adds to the legend of the film.

The sense of intersection between reality and fiction in Three Wan Li in Chang ‘an mainly stems from its unique perspective of recollection and narration. The film adopts the narrative mode of "two male masters", traces back his life with Li Bai through the mouth of high comfort in his later years, and takes the friendship between them as an opportunity to explain the history of the Tang Dynasty from prosperity to decline. The third-person narrative perspective gives the film a kind of alienation effect. The audience stared at Tang Shi and the Tang people from the sidelines, writing legendary epics for the Tang Dynasty and legendary poems for Li Bai. As a narrator, Gao Shi is pragmatic and "grounded". Unlike Li Bai, he does not talk about the heavenly palace, immortals and Taoism, but tries to describe those real and substantial things as much as possible. Therefore, the film highlights the importance of narrative space. From the microscopic point of view, Chang ‘an Three Wan Li adopts repetitive narrative techniques, presenting the same space in different situations for many times, and showing the historical process of the rise and fall of the Tang Dynasty and the transition of the characters’ emotions. In the film, Gao Shi went back to Liangyuan three times, went to the Yellow Crane Tower three times, went to Chang ‘an three times and went to Yangzhou two times. Every time he went and left, he was closely related to Li Bai and the progress of the times. "Born in Sri Lanka, grew up in Sri Lanka, died in Sri Lanka, and was remembered in Sri Lanka. His soul is full of qi, and there are those who die." As a place where Gao Shi grew up, Liangyuan is a spiritual place for Gao Shi to find himself and improve himself. However, the quiet years of Liangyuan were always disturbed by Li Bai, and his fame and downfall constantly stirred Gao Shi’s heart, thus pulling him out of Liangyuan. Or enjoy the prosperity of the Ming dynasty in the prosperous Tang dynasty, or sigh the choppy waves in the underground of the Tang dynasty.In the end, Gao Shi saw the brilliance of poetry in the prosperous Tang Dynasty and knew his ambition to serve the country. Seeing the women dancing on the high shelf in the smoke of war, I clearly felt the compassion of the people of Tang Dynasty in prosperous Chang ‘an. Seeing that Li Bai regards grief as nothing, cherishes a sincere and open-minded life, and determines the natural way that belongs to the mountains and rivers. From a macro perspective, Three Wan Li in Chang ‘an creates a dual narrative space in which memories and reality coexist, and integrates narrative time and narrative space, thus sketching the flow curve of time and depicting a colorful picture of history. In the meantime, the tension between Yin and Yang in the prosperous time of Chang ‘an converged into a narrative clue, and the decline of Daoming in the prosperous Tang Dynasty was closely related to the reasons such as the view of the gate, the prime minister in power and the loss of talented people. The film does not show cause and effect, but it is full of logic, which seems unexpected and reasonable.

The highlight of the film lies in its accurate grasp of narrative rhythm. First of all, the plot of the film is properly arranged. Although The Three Wan Li in Chang ‘an tells the story of the decline of the Tang Dynasty, it focuses on the growth and friendship between Gao Shi and Li Bai, and almost ignores the important events in court, only talking about the border difficulties directly related to Gao Shi. This arrangement shows the relationship between the times and people to the fullest. Secondly, the sad and happy narrative rhythm of the film also fully mobilized the audience’s emotions, which better served the narrative theme of the film: there are gorgeous chapters in prosperous times and heroes in troubled times. Generally speaking, the film presents two narrative themes, which emphasize the individual’s way of seeking the way and praise the inheritance of the article. On the one hand, Chang ‘an is a treasure-house for aspiring people to display their ambitions, and people represented by Gao Shi intend to go to Chang ‘an with lofty aspirations. However, the so-called "Three Wan Li" is actually a distant horizon. The prosperity and peace are like a dream bubble, and the decline of Chang ‘an is only in the morning and evening, which is very helpless. However, being a courtier, you should be loyal to what the king entrusts, and eventually retreat from the enemy. After the king’s affairs in the world, he filled himself with innocence, but he returned to heaven and earth, looking between mountains and rivers and poems, seeing heaven and earth, seeing all beings, seeing himself, finding his own way, doing his own way, and showing his way with articles. On the other hand, Chang ‘an, as the accommodation of famous poems of Tang Dynasty, shows the prosperity of Tang Dynasty. At the end of the film, Gao Shi embraced "The Collection of the Heroes of the River Yue" and played the "Chang ‘an" flying flower order with his entourage, depicting the people and things, history and events behind the "Chang ‘an" poem.道与法，诉说着“文章千古事，得失寸心知”的真谛。也正因此，影片传递出一种悲情，这种悲，既是情绪之悲，即大时代下人物身不由己的宿命之悲；更是情感之悲，即反抗宿命而寻求自我的悲壮；还是情怀之悲，即兼具人道主义与人文关怀的悲悯。这种悲怆掩藏在乐观主义与豁达心境之下，并随着长安的故事层层递进，圈圈晕染而开，最终在文与道的和谐图谱中化为人文关怀，给人以温情之感。于是，故事寥寥几笔道出一众盛唐名人的悲惨结局；将杜甫置放在“春风得意马蹄疾，一日看尽长安花”的静好岁月中；让李白肩比彩云，同仙鹤归，在声声猿啼间，踏轻舟拍绿浪，乐辞白帝城。

Multi-dimensional characters

The reason why "Chang ‘an Three Wan Li" scored more than 8 points in Douban on the second day of its release lies in the pluralistic and three-dimensional characters created by the film. The film depicts the decline of the prosperous Tang Dynasty with memories of Gao Shi’s later years. With the development of his friendship with Li Bai, those figures who left a strong impression on the elegant charm of the Tang Dynasty appeared one by one, and embellished the paintings of the Tang Dynasty with scattered perspective, each interpreting his own anecdotes. In this way, "Three Wan Li in Chang ‘an" is like a picture of the Qingming Riverside only belonging to the Tang Dynasty. This scattered perspective style of creation endows the film with a synchronic sense, and Zhang Xu, He Zhizhang, Wu Daozi, Wang Wei, Du Fu and others gather together to show the prosperity of the Tang Dynasty. But the tragic ending of all the characters without exception once again highlights the historicity of the film. This can’t help but make people sigh. As long as poetry is there, Chang ‘an will be there. Even though time is fleeting, the ups and downs are common in the state, and Hua Zhang looks like water flowing from the east. With the help of media such as pen, ink, paper and inkstone, history will not be forgotten, and civilization will continue to last forever.

Three Wan Li in Chang ‘an also created two extremely three-dimensional characters, Li Bai and Gao Shi, which are intertextual with history and basically meet the aesthetic expectations of the audience. Li Bai is the "ceiling" of the romantic poets in the Tang Dynasty. His poems are fantastic and magnificent, and he is the image of a fallen immortal who is detached from the six realms in the eyes of the world. Different from previous cognition, Li Bai in the film is a little more "popular". He has pride in his heart, and will be ashamed of himself because of Cui Hao’s "Climbing the Yellow Crane Tower", and he is determined to write a good poem in Yangzhou; He has a stubborn temper, and together with Pei Twelve, he robbed Zhezhi dancers. He is confused and confused, and will ask Meng Haoran for the answer to whether he is adopted by wife or not; He may even make mistakes, indulge in drinking and forget the agreement with his friends. However, this complex image also highlights the contradiction of Li Bai from the side. He has a soul born and a heart to join the world. He hopes to show his ambition, but he can only wander between poetry and wine. Therefore, after he lived in seclusion in Lushan Mountain, he went out to write poems for Yongwang at his request. The design of this plot presents the arrogant Li Bai who can sing "Go out laughing in the sky" and the helpless Li Bai who can whisper "Don’t you see, how lovely locks in bright mirrors in high chambers, though silken-black at morning, have changed by night to snow" in history to the audience. Compared with Li Bai, Gao Shi’s characterization is more stylized. He was born in a humble background, inarticulate, and not a scholar, but hard work became his label, so he grew into a military commander who was independent and regained Chang ‘an.On Gao Shi’s body, the growth arc is shining. However, standing on the long river of history and looking at Gao Shi, he is just one of the sentient beings. In the film, he is more portrayed as a middleman. Standing in the middle of Chang ‘an history, he was the only one who saw prosperous Chang ‘an and ruins Chang ‘an. Standing in the middle of the development of poetry, he has a heart-to-heart relationship with Li Bai, a "poetic immortal", and with Du Fu, a poet who connects the elegant posture of Tang poetry with the documentary tendency of Tang poetry. In fact, Li Bai and Gao Shi are both similar and different. They met when they were young and had a good yearning for Chang ‘an, but since Yangzhou, they have embarked on their own paths. Nature, karma, Li Bai and Gao Shi seek different ways and do different things. The film puts the conflict between romanticism and historicism in the foreground, and once again hangs the issue of birth and accession to the WTO between the two people and the audience. At the same time, it also gives its own answer: the narrative of retiring from Tubo with high fitness and courage and the ending of traveling around the world with "The Collection of Heroes of the River Yue" make the birth and accession to the WTO reach a settlement, that is, the gentleman should take it for granted, as written in Li Bai’s "The Chivalrous Man", and "he can go to the WTO and hide his fame." In the film, Li Bai personally said that "Chivalrous Journey" was made according to Gao Shi’s image, which also showed Li Bai’s heart of joining the WTO. However, under the shadow of the times, Li Bai’s fate has long been doomed, and fatalism has cast a sadness on Li Bai. It is also in this situation that Gao Shi’s resistance to fate is even more tragic.Compassion for others is also more powerful.

Full of tang style’s aesthetic style.

"Three Wan Li in Chang ‘an" takes everyone back to the historical process of the Tang Dynasty from prosperity to decline with the help of Gao Shi’s mouth. Its memories began in the prosperous Tang Dynasty and ended in the late Tang Dynasty. The film shows the national aesthetics of the Tang Dynasty fashion.

When you first watch this film, the audience will be shocked by the elegant posture and unruly state of the weather in the prosperous Tang Dynasty. Zhang Xu and He Zhizhang in the Four Scholars of Wu Zhong, who are famous for their madness, associate with wine all day long, and their "cursive" works are also abandoned with their hearts, without the worldly turbidity of the world of mortals. Similar to the sense of emphasizing lines in calligraphy, Wu Daozi, the representative of the peak of Tang painting, also pursues to outline the charm of people and things with a few lines. He once said, "Everyone is close to expectation, but I am detached from painting. Everyone is attached to iconicity, and I am detached from vulgarity." It is true that the characters he painted have a round brushwork and the clothes are fluttering in the wind. This style of "Wu Dai Dangfeng" shows the character of the people in the prosperous Tang Dynasty to the fullest. In order to let the public better understand this style, ink painting is inserted from time to time in the film, which gives the picture enough sense of blank space, fully mobilizes the imagination of the audience, and makes it look white in the air and has its charm. Apart from painting and calligraphy, poetry is the label of the Tang Dynasty. Among them, Li Bai’s works are the pinnacle of the prosperous Tang Dynasty, and his romantic style is full of fairy tales and divorced from the secular world, which is the most typical representative of the prosperous Tang Dynasty.

The Tang Dynasty was an inclusive era, and harmony without diversity and eclecticism created prosperity. In the film, there are only dances, such as zhezhi dance and Hu Ji. The film also inherits the inclusiveness of the Tang Dynasty, and combines the cultures of poetry, calligraphy, dancing, painting and wine to visualize poems, which not only brings dramatic spectacle to the audience, but also tries to reproduce the mood and feelings of the characters at that time. Take the scene of Li Bai entering Taoism and drinking with Cenfuzi and Dan Qiusheng as an example. When Li Bai’s officialdom was frustrated and Confucianism could not be broken, he decided to enter Taoism. Although Li Bai was extremely depressed as a whole, his pride and immortal spirit accumulated in the prosperous Tang Dynasty still enabled him to create a masterpiece "Coming into Wine". The film incarnates the poem, which makes "Brewmaster" Li Bai see the distance of the temple in the colorful chaos and sigh the sorrow of life, but after tasting the wine, he is impressively open-minded and returns to sincerity. At this time, he is like Zhuangzi wandering freely, seeing through the secular world, and seeing Kun Peng soaring up to the Nine Wan Li and reaching the realm of being selfless, the God-man being useless and the saint being nameless.

The Tang Dynasty is an era of poetry. If we talk about the Tang Dynasty, we must talk about poetry. Three Wan Li in Chang ‘an presents the essence of Tang poetry in art and spirit respectively. One is image aesthetics. "The English of the text is fascinating, and there are shows and hidden ones, and those who are hidden are also important outside the text; The show is also the one who is the best in the article. " The film uses a large number of image symbols bearing emotion, which are grouped at a specific moment, so that it can be upgraded to artistic conception, so that the audience and the protagonist can be isomorphic, and the blank space can be seen in a limited picture, so that they can feel what they feel, think what they think, realize what they understand and appreciate the long aftertaste. Three Wan Li in Chang ‘an is in harmony with form, and images abound. For example, the bright moon in the cup, which refers to Gao Shi and Li Bai’s confused mood, makes the audience feel the helplessness of the two; Knowing An Lushan’s rebellious heart and trying to save Guo Ziyi, the red plum blooming in the snow represents Li Gao’s indomitable patriotic ambition and sincere loyalty to the monarch; The cranes in the air always around Li Bai set off Li Bai’s unrestrained and free mind in this life; In the war-torn Chang ‘an, the woman dancing on the high shelf can’t help but make people cry. Chang ‘an, a prosperous city, is ablaze in the morning and evening, and seems to be in ruins. The sadness is beyond words. The second is the spirit of poetry. On the one hand, the spirit of poetry is embodied in "everyone can write poetry". Even Gao Shi, who is born with defects, can make a famous sentence of "half of our men at the front were killed, but the other half are living, and still at the camp beautiful girls dance for them and sing".The poem boards that can be seen everywhere in the Yellow Crane Tower and the frontier fortress also show the flourishing state of poetry in the Tang Dynasty. On the other hand, the poetic spirit is isomorphic with Li Bai’s wild, free from vulgarity, optimism and open-mindedness. The film starts from "Everyone in the world knows the monarch" and ends with the flying flowers in Chang ‘an, which integrates poetry into the history of Chang ‘an’s rise and fall, and shows the infinite vitality of poetry.

In the Tang dynasty, people had the joy of being an official, but also the sadness of losing their ambition; There are joys of fame and sorrows of inaction; There are joys of making friends and sorrows of loneliness, and people’s joys and sorrows are like the moon’s full moon. Although the film does not express feelings directly, it shows feelings everywhere in the narrative. Its main line is to start from questioning friendship, love for national conditions and loyalty to the monarch, and to prove the truth of friendship and express the sorrow of the times in the promotion and development of memory and history. Based on the present situation and reviewing the development history of Chinese civilization, Chang ‘an Three Wan Li is undoubtedly another masterpiece of creative transformation and innovative development of Chinese excellent traditional culture. The "universe of Tang poetry" created by it strongly demonstrates the cultural self-confidence of the Chinese nation, and highlights the enterprising spirit of the Chinese nation to be upright and not conservative, and to respect the ancient and not retro. Because "Three Wan Li in Chang ‘an" has stirred people’s hearts for a long time, we are even more convinced that in the future, Guo Man will continue to exert his efforts to promote national aesthetics, produce more masterpieces, and promote the high-quality development of "China Animation School". (Author: Zhang Jingwu, a professor and doctoral supervisor at School of Communication, Fujian Normal University; Wang Wen, a graduate student majoring in drama, film and television, School of Communication, Fujian Normal University)

?Editor’s　Note:

Novel coronavirus is spreading around the world at an alarming rate, but we should not be surprised. Globalization has brought systemic risks. As the links between trade, finance, tourism, internet and other fields become closer and larger, they also become more complex and unstable.

Edward Lorenz, the father of chaos theory, pointed out that a butterfly flapping its wings over Brazil may trigger a tornado in Texas, USA. The increasingly integrated and complicated global economy makes it more vulnerable to the consequences of "Butterfly Defect". For example, major airport hubs are powerful promoters of the positive effects of globalization, but they are also powerful communicators of the negative effects of globalization, and one of the "public hazards" they spread is epidemic diseases.

The PUP author from Oxford University, who is to be introduced to you today, warned governments in a book published six years ago that the systemic risks brought by globalization would threaten all of us, and the next global crisis would probably stem from the widespread epidemic of a disease.

The extensive connection of people leads to health risks

The density and intensity of contact between people and between people and animals are the decisive factors for the development and spread of epidemic diseases. In 1967, Stanley Milgram conducted an experiment to quantify global connectivity. He found that people can meet any stranger through at most six people.

In 2011, Facebook analyzed its 721 million users worldwide, trying to find out how many steps it takes to establish contact between any two people. It turns out that even though users are separated by thousands of miles, any two users only need 4.7 "friends" on average to be connected.

Population growth and the expansion of travel scope, coupled with the intentional or unintentional transshipment of animals (mice on board or mosquitoes on the plane), have rapidly increased the risk of epidemic spread. As we saw in the SARS epidemic in 2003, a toxic pathogen usually only needs short contact to infect someone and spread it. This makes airplanes and international travel become vectors of disease transmission.

High concentration of people raises health risks.

In 2025, the proportion of urban population in the world is expected to rise to 70%. The population density in Tokyo is as high as 5,847 people per square kilometer, and one in every 25 people lives in a mega-city, so it is necessary to "monitor, prepare and respond to infectious diseases". This practice is very important everywhere, especially in places with high population density and poor sanitary conditions, places where people are in close contact with animals, and places where water sources are easily polluted.

The risk of agglomeration will also amplify the connectivity risk within urban agglomerations and around the world, especially because major airport hubs are often located next to these cities. If an infectious disease originated in a metropolis, it is almost impossible to stop it from spreading around the world. Large cities are also usually inhabited by floating population and businessmen connected with other continents.

Gossip and Panic —— Information Management in Epidemic Prevention and Control

Now, all kinds of information and rumors can spread almost instantaneously through the Internet and social media. With this ability, the risk of panic related to infectious diseases has also increased dramatically, which has doubled the complexity of epidemic management.

Information management is essential, because panic may systematically aggravate the danger of the epidemic: during the epidemic prevention and control period, the government needs to control the flow of people and drugs, and if people frantically buy and hoard drugs, masks and other materials out of panic at this time, many important services will be greatly affected by people’s reaction.

When trying to prevent large-scale panic, governments may also choose to suppress some important information. In the social network of the financial world, there is evidence that "individual decision makers usually pay attention to the behaviors, decisions and even beliefs of others who have social contact with them (such as the perception of risks)." It is in this sense that innovation and technology also increase the risk of infectious diseases; In addition to tangible channels of transmission, we also need to be aware of the existence of risks related to "social" infection.

Another challenge comes from the management of the dissemination of sensitive research information. For example, the debate revolves around the US government’s decision to ask the major scientific journals Nature and Science to suspend publishing research on the evolution of H5N1 influenza virus. According to Medical News Today, although these studies were finally published, they were "shelved because the international community was worried that making these data public would make it easier for terrorists to make chemical and biological weapons".

PUP content express:

The Butterfly Defect:　

How Globalization Creates Systemic Risks, and What to Do about It

　

Author: Ian Goldin and Mike Mariathasan

Publication date: October 20, 2015 (paperback edition)

ISBN:　9780691168425

Highlights of the book

The Butterfly Defect emphasizes the widening gap between the new systemic risks arising from globalization and its effective management. This book shows that the turbocharged globalization power has the potential and power to undermine the stability of our society. Ian Goldin and Mike Mariathasan borrowed the latest insights from various disciplines and provided practical guidance for governments, enterprises and individuals on how to better cope with globalization and its risks.

Goldin and Mariathasan proved that systemic risk problems are now ubiquitous in supply chain, epidemic, infrastructure, ecology and climate change, economy and politics. Unless we solve these problems, they will lead to greater protectionism, xenophobia, nationalism, and inevitable de-globalization, increased inequality, conflicts and slower development.

The Butterfly Defect shows that in an interconnected world, reducing uncertainty and risk is an important task for our future development.

About the author:

Ian Goldin & Mike Mariathasan

　

Ian Goldin

Dean of Martin College, Oxford University, UK, Professor of Globalization and International Development Department, Oxford University.

Mike Mariathasan

Assistant Professor, Department of Finance, University of Leuven, Belgium

　　After 70 years, India’s 200 million Dalits are still "like dirt" and it is difficult to break through the caste barrier

　　[Special correspondent of Global Times in India Zhou Liangchen Special correspondent of Global Times Zhang Xiaozhu Global Times reporter Xing Xiaotong] On the 25th, India officially welcomed Cowende, the president from the untouchable class. This is the second untouchable president in 20 years. Because Cowend’s campaign opponent is also an "untouchable", this makes many people feel that "untouchable" is getting more and more attention in India, and their spring has come. The actual situation is far from so optimistic. In the decades since Indian law abolished the caste system, although the lives of the people in Park Jung Su (also known as untouchables) at the bottom have been greatly improved, and many elites have emerged from the political and business circles, they are, after all, a very small number of the 200 million untouchables. In Indian society dominated by Hinduism, especially in rural areas, most "untouchables" are still deeply bound by traditional "hidden rules". Although the modern democratic electoral system has made "untouchables" the darling of the election season, the reality is that "someone here is not disturbed by his life experience when he becomes president, and it is embarrassing to be murdered and raped there."

　　Contrast-someone is president and someone is on hunger strike.

　　"A Da Park Jung Su has become the president of this country, but in a village in Andhra Pradesh, 300 Da Park Jung Su families are facing social exclusion." On the 25th, Cowende, who was born as a Dalit, was formally sworn in as the President of India, which was a big day for the large Dalit class. However, the website of India Today reported that more than 300 Dalit families in Andhra Pradesh began to hunger strike indefinitely on the same day to protest against discrimination by high caste groups.

　　The incident originated on April 24th when the local people in Park Jung Su erected a statue of Ambedkar (a lawyer from "Dalit" background, known as "the father of Indian Constitution"), but it was opposed by the high caste community, and the statue was removed by unidentified people within a few hours. Moreover, because Da Park Jung Su people mainly work in agriculture but have no land, high-caste landowners refuse to continue to employ them.

　　On the 26th, New Delhi TV station paid attention to the reaction of Park Jung Su community in Bonda, the northern part of Cowend’s hometown. According to the article, Cowend’s inauguration as president has hardly caused repercussions in the village of Mubarakpur, where Park Jung Su people are the majority, and everyone can’t agree whether he will bring good luck to the people of Park Jung Su. A pharmacist in Da Park Jung Su mentioned that local villagers had recently built a separation wall. According to this report, in another Da Park Jung Su village 5 kilometers away, many people still don’t know who Cowende is.

　　Not only the people in Park Jung Su who are at the bottom, but also to many Indians, Cowend is a stranger. Some analysts said that the ruling People’s Party launched Cowende in order to win the votes of the "untouchables" in the 2019 general election. After all, there are 200 million people in this group. There are "untouchables" complaining. Instead of this, it is better to let "untouchables" enter the temple and get water from the well …

　

　

　　Participation in the situation-from discrimination to violence

　　"Dalits, like the word proletariat, stand for’ oppressed people’ and have been widely used in Indian society in recent years." Manorankin Mohanty, chairman of the Institute of China Studies in India and former professor of political science at Delhi University, said in an interview with the Global Times that "the Indian Constitution explicitly opposes caste discrimination, and the law allows Dalits to enter temples and fetch water, but that is only at the legal level. The discrimination against Dalits has not been eliminated in real life."

　　About 80% of Indians believe in Hinduism, and they were born in the caste order. According to the traditional teachings of Hinduism, people of high caste are polluted just by seeing Da Park Jung Su, let alone touching it. Da Park Jung Su had to carry a bag with him when he went out in ancient times, so as not to pollute the land. If they travel during the day, they should bring a bell and ring it in advance to remind people to avoid it.

　　Even today, in some Indian rural areas, if you see someone walking with their shoes in their hands instead of on their feet, it must be Da Park Jung Su. Because "Dalits" must be barefoot when they pass through the residential areas of high castes. There are also "untouchables" who ride through high-caste residential areas and have to get off and push them.

　　Walking around the Indian countryside, you will find that many villages are composed of two parts. Outside the village is a small residential area, and this "village outside the village" is the residence of "Dalits". Ordinary villagers generally don’t visit the homes of "Dalits", and "Dalits" don’t visit the village except to provide services. The temples used by ordinary villagers do not allow "untouchables" to enter, and the wells do not allow them to use them.

　　An article in The New York Times about Indian "caste discrimination" once told a case: a grieving father reported to the police that his daughter was missing, but the police asked, "What caste are you?" When he revealed that he belonged to a low caste, the police laughed at him and gave him no attention. A few hours later, the bodies of his 12-year-old daughter and 14-year-old niece were found hanging from a tree, and both were raped.

　　According to the article, the upper castes are rarely put into prison for raping da Park Jung Su people, and if they need to defend themselves, they can always find a statement: We will never touch women with lower castes. In a case in 1995, the accusation of gang rape made by a woman in Park Jung Su was rejected by the judge on the grounds that "it is impossible for an upper-caste person to rape a lower-caste woman to get dirty".

　　According to a report of the Indian National Human Rights Commission in 2010, crimes against Da Park Jung Su people occur every 18 minutes; On average, three da Park Jung Su women are raped and two are murdered every day. Park Jung Su people are not only worried about their safety, but also their overall quality of life is quite low: about 37% of Park Jung Su people live below the poverty line, 83 out of every 1,000 children in Park Jung Su die before their first year, and 12% do not live to their fifth year.

　　According to the statistics of the National Crime Records Bureau of the Indian Ministry of Interior, from 2009 to 2015, there were about 227,000 recorded crimes against Park Jung Su people. From 2009 to 2013, there were 3,194 murders in Da Park Jung Su, and 7,849 women in Da Park Jung Su were raped. Because the defendants and their supporters (including the police) destroyed evidence, obstructed trials and threatened witnesses, the conviction rate in these cases was very low.

　

　

　　Care-decades of "reservation policy"

　　Indian society does not turn a blind eye to what happened to the Da Park Jung Su people. After India’s independence in 1947, under the vigorous advocacy of the civil rights leader of Dalit, Ambedkar, the Indian Constitution not only explicitly stipulated that caste discrimination was illegal, but also implemented a "reservation policy" for Dalit and remote tribes, that is, reserved certain places for them in government departments, state-owned enterprises and institutions of higher learning. Because these ethnic groups are listed in the schedule of the Constitution, they are called "scheduled castes" and "scheduled tribes".

　　When visiting Nehru University in India, the Global Times reporter found that the proportion of care for "list castes" here is quite large. It can be said that nearly half of the students are "disadvantaged classes" who are taken care of, and many of them are far away from their hometowns in southern or northeastern India. The common feature of these students is that they are diligent and eager to learn.

　　The reporter has a doctor friend at Nehru University, with dark skin and a belief in Buddhism. Later, it was pointed out that those people who look "very Indian" but believe in Buddhism are probably from Park Jung Su, but they rarely mention their origins, but struggle silently.

　　In order to get rid of the fate of oppression, many people in Park Jung Su changed their religious beliefs. According to statistics, nearly 90% Buddhists, 1/3 Sikhs, 1/3 Catholics and most Muslims in India were once "untouchables". But on the whole, proselytes are still a minority.

　　The Indian government has promulgated many laws for the people of Park Jung Su, such as the Civil Rights Protection Act of 1955 and the Anti-Atrocities Act of 1989. In 2015, the amendment to the Anti-Atrocities Act clearly pointed out that Da Park Jung Su people have the right to use public facilities and have the right to enter religious places of worship. If anyone intentionally interferes, it will be considered as a violation of the Anti-Atrocities Act.

　　For decades, many efforts have made great achievements, especially the "reservation policy" has played a positive role in breaking the occupational hereditary caused by the caste system and improving the social status of "untouchables". Outstanding figures from "untouchable" backgrounds appear constantly. In politics, there are two presidents, the chief justice and the speaker. Mayawati, known as the "untouchable queen", has served as the chief minister of Uttar Pradesh, the most populous state, for four times.

　　The attention paid to "Dalits" can be seen from this presidential election. The Indian Express said that when the chairman of the People’s Party announced Cowend as a candidate, he mentioned his caste background 15 times, and the Congress Party was forced to introduce the candidate of Da Park Jung Su. "Being a Da Park Jung Su suddenly became a virtue of Indian politics."

　　However, in the eyes of some da Park Jung Su people, once the election is over, I’m afraid no one will continue to care about their situation. Moreover, although Da Park Jung Su people have a certain proportion of seats in the legislature, there are not many people who actively speak for them. On the one hand, these politicians are limited to belonging to different parties, on the other hand, they are afraid of their high-caste superiors.

　　Caste-at the core and secretive.

　　Some Indian scholars believe that the caste system can be said to be the core of Indian society to some extent. Just because it is at the "core", it can’t be seen on the surface, and it is secretly affecting the operation of this society. The caste system is very complicated. It is related to skin color but not absolute. It is related to occupation but not absolute.

　　A reporter from Global Times once saw a doctor in a hospital in New Delhi. He met a doctor with fair skin and elegant speech. Seeing that his signature was Sharma, he was basically a Brahmin. However, in contemporary India, there are also special cases in which Hindus from lower castes convert their families to other religions or even change their surnames. Sometimes in the workplace, people will consciously dilute the traces of caste, and some people with low castes like to "hide their names", such as all calling themselves "Kumar". A reporter from Global Times called the Indian Ministry of Foreign Affairs to find a staff member Mr. Kumar whom he had met before. As a result, there was laughter on the other end of the phone: There are more than a dozen Kumar in our office. Which one are you looking for?

　　Caste is a sensitive topic in India. If you ask Indians, many people will say that the caste system has died out and there is no caste discrimination. Many people are even more secretive about the situation of the "untouchables" at the bottom of the caste order. Recently, Global Times reporters interviewed several Indians, including two Indian journalists and a scholar, on the issue of untouchability, but they were all declined.

　　The complexity of the caste problem in India is also reflected in the "reverse discrimination" riots that have repeatedly erupted in recent years. At the beginning of last year, a high-caste ethnic group named Jat in Haryana strongly demanded to enjoy the preferential policies given by the state to low castes. Demonstrators blocked roads, burned down vehicle buildings and destroyed water delivery channels in many parts of the state, leaving tens of millions of people in the capital area facing water shortage.

　　Mohanty told the Global Times reporter that in cities, the situation of "Dalits" is much better, and many great scholars, writers, scientists, judges and civil servants all have the background of "Dalits". But in rural areas, discrimination is still common. It is a slow process to completely eliminate caste discrimination, which can not be achieved only by introducing legal provisions, but also by creating other corresponding conditions, such as land ownership and policy decision-making power.

　　Mohanty believes that the appearance of two "Dalit" presidents is undoubtedly an incentive to the "Dalit" class and enhances their "pride", but it can’t bring them benefits. Democratic elections and the "Dalit" rights movement have contributed to promoting social equality, but there is still a long way to go to achieve the goal of "eliminating caste" proposed by Ambedkar.

1905 movie network news Recently, the spy war movie released a brand-new trailer, playing the special agent Jin Shenshui. In the extreme environment where many forces are intertwined and everyone has their own ulterior motives, a few words seem to be light, but in fact, every sentence is extremely deliberate, killing the enemy in an instant, which can be described as "hiding the knife in the words and killing the invisible".

Based on the novel of the same name, Knife Point is directed by Zhang Yi, starring,,,, starring, and will be released on November 24th.

The story background of Knife’s Blade focuses on Nanjing, which was devastated in 1940. Director Gao Qunshu once said that in this cruel environment, "everyone is thinking about how to survive, whether it is our side, the military system or Wang Fei". Jin Shenshui (Zhang Yi), a special agent with multiple identities, lives among the forces of the Japanese military, the puppet government and the military junta all day long, not only carefully hiding his true identity, but also quietly alienating the enemy and making excuses to kill people.

In the newly released trailer, everyone in the life-and-death training ground is on thin ice, and Jin Shenshui uses the characteristics of everyone’s own ulterior motives to exert a "deviant plan" in an extremely ingenious way. In the tense situation, it turns a few words that seem to be light and light into a sword that stabs the enemy.

As director Gao Qunshu said, the most thrilling thing in spy war is often not reflected in the real fight, but "hiding a knife in words, killing people invisibly". "Everyone’s words have a deep killing trick, and it seems that if you say a few words casually, you can kill people." Jin Shenshui, a special agent who witnessed his family being killed by the Japanese invaders and suffered extreme pain, turned himself into a "motionless blade", not only to get rid of the enemies around him, but also to protect the safety of his compatriots.

Like him, Lin Yingying, who hates her country’s enemy, also shows a fighting capacity different from ordinary people under the image of calmness and gentleness. Gao Qunshu explained that the strength given to her by the organization behind her "made her support this mentality of being bold and cautious, killing people without tricks and killing people invisibly". Whether it is Jin Shenshui or Lin Yingying, you must have extraordinary courage and strategy to walk on the tip of the knife. "Either you beat your opponent to live, or you sacrifice yourself to help your comrades live."