On August 30, 2024, SAIC Volkswagen Passat Pro made its debut at Chengdu Auto Show and announced the opening of the reservation.

　　On September 10, 2024, SAIC Volkswagen Passat 2025 joined hands with Passat Pro to form the Passat 380TSI family, which was officially listed, with a limited price of 159,900-223,900 yuan.

　　Saic VolkswagenPassat 2025 is outstanding.

　　On September 10, 2024, SAIC Volkswagen Passat 2025 joined hands with Passat Pro to form the Passat 380TSI family, which was officially listed, with a limited price of 159,900-223,900 yuan. Passat 2025 has been improved in design, luxury, intelligence and quality, and has become the focus of the mid-to high-end car market. In addition, SAIC Volkswagen also provided the powertrain lifetime warranty service for the first non-operating vehicle owner who purchased the Passat 2025.

　　Design aspectPassat 2025 adopts a brand-new double front face design, providing the original pioneer front face and starry front face, showing the perfect combination of calm atmosphere and modern science and technology.

　　Configuration aspectThis model is equipped with IQ. Drive intelligent driving butler, including ACC advanced adaptive cruise control, IQ. 360 panoramic +PLA automatic parking assist system, IQ. Light eye matrix and other intelligent driving assist systems, which improve the safety and convenience of driving.

　　Comfort aspectPassat 2025 provides panoramic sunroof, seat heating and ventilation function, 10-color atmosphere lights, etc., creating a comfortable driving environment.

　　Power aspect, equipped with EA888 turbocharged engine and DSG seven-speed wet dual-clutch gearbox, provides strong power output andflatSpeed up the feeling.

　　(Source: Diancai. com)

@ Xinjiang Fire News, at 10: 33 on July 20, 2022, an earthquake of magnitude 4.8 occurred in changji city, Changji Prefecture, Xinjiang. The epicenter was located at 44.46 degrees north latitude and 87.15 degrees east longitude, with a focal depth of 23 kilometers. The epicenter was about 427 meters above sea level, 50 kilometers away from changji city and 74 kilometers away from Urumqi. In the past five years, there have been 39 earthquakes of magnitude 3 or above, and the largest earthquake is this one.

After the earthquake, Changji fire rescue detachment quickly assembled the advance team of the special fire station and the full-time headquarters of the detachment to go to the epicenter for exploration. The detachment immediately started the first-level response mechanism of earthquake disasters, and immediately assembled Urumqi detachment, Changji detachment, mobile detachment and Shihezi detachment in the camp area according to the Earthquake Rescue Plan of Xinjiang Fire Rescue Corps, ready for reinforcements at any time.

After contacting the Earthquake Administration and the quick reporters in the epicenter area, it was found that some people felt a slight earthquake in the area and the people’s production and living order were normal.

　　guide reading

　　On April 13th, 1939, The Yellow River Cantata premiered in Yan ‘an. This symphonic epic, composed by the poet Guangweiran and the musician Xian Xinghai, has spread the roar of the Chinese nation throughout China and even the whole world.

　　On April 13th, 80 years later, on the stage of the second season of the large-scale poetry and cultural music program "Classic Chanting" broadcast by CCTV-1, the singers of different times sang this "national strongest voice" during the Anti-Japanese War again.

　　"A country and a nation cannot live without a soul." General Secretary of the Supreme Leader said this when attending the joint meeting of members of the cultural, artistic and social sciences circles at the second session of the 13th Chinese People’s Political Consultative Conference. The Yellow River Cantata, with the Chinese nation’s mother river as the creative background, integrates folk songs and folk music representing excellent traditional culture. As the horn of national spirit, it is always inspiring and enduring from generation to generation, just as the soul of a nation exists in the hearts of generations.

　　The Media Tea Party holds that, after a lapse of 80 years, the stage of "Classic Ode" reproduces this magnificent national epic, and leads the public back to the years when passion is burning with a spiritual dialogue that spans time and space, reminding the public not to forget the spirit of fighting dangerous beaches and waves and the unyielding integrity. By inspiring the cultural identity of Chinese sons and daughters, it encourages the public to gather strength and step on the sonorous drums to move towards a better future.

　　Emotions that make you cry,

　　Called "pure heart" and "national soul"

　　"A chorus can top 100,000 muskets" — — This comment refers to The Yellow River Cantata. In do or die, where the nation was in peril, Xian Xinghai wrote music in a vertical stroke and roared for the war of resistance.

　　On the stage of "The Classic Ode", four The Yellow River Cantata singers of different times performed this magnificent epic together. They are: Li Yifei, a 98-year-old Yan ‘an Luyi student, who was a member of the choir when her work was first performed; Jie Bing, a 97-year-old veteran of the second anti-enemy drama team, The Yellow River Cantata developed from this drama team; Mr. Qu Xianhe, 75, is one of the restorers and reciters of the third paragraph of how the Yellow River’s waters move out of heaven after the founding of New China. There is also Mr. Yu Feng, the 55-year-old dean of the Central Conservatory of Music and a well-known conductor, who re-sang the "Yellow River" spirit of Yan ‘an Luyi in the new era.

　　In the program, the singer’s voice is sonorous and heroic in his old age. As Mr. Liao Changyong, a member of the appreciation group of "Classic Ode", said: "How many people embarked on the revolutionary journey by listening to this song, and how many people went to the front line by listening to it and gave their lives to the country and the nation. This work has accompanied us in China for 80 years, which is not only a musical position, but also a spiritual position, which is supreme."

　　This year marks the 70th anniversary of the founding of New China. After 70 years of hard work, great changes have taken place in China. No matter in the history of the Chinese nation or in the history of the world, this is an epic of earth-shaking struggle. Looking back at the history of our country and reliving the unforgettable national memory, culture is undoubtedly the most resonant, penetrating and infectious carrier.

　　Media Tea Party believes that as a program that deeply cultivates Chinese excellent traditional culture, Classic Ode to the Spread pays special attention to seeking a breakthrough in conception this year, strengthening the modernity and fashion of classic poetry through new melody editing, song interpretation and mass communication, and deeply excavating the contemporary value and world significance of China’s excellent traditional culture. The new interpretation of The Yellow River Cantata in the program vividly reflects the struggle practice of the Party and the people in the form of music, and at the same time, it encourages all Chinese people to carry forward the past and struggle.

　　The reason why classics are not old,

　　Because it is rooted and continues the blood of culture.

　　"When we hear this song again, we will still be excited by the blazing patriotism in the song. Recalling the past, the road ahead is far away, and our generation shoulders heavy responsibilities and lives up to good times! " After this issue of "Classic Chanting" was broadcast, an audience left a message like this.

　　From war to peace, from weakness to prosperity, from humiliation to revival — — For today’s public, the memory of the times represented by The Yellow River Cantata seems to have been "yellowed" for a long time, but why does this revolutionary symphonic epic always haunt the public’s mind, and every time it is heard or sung, it will arouse such a strong spiritual resonance?

　　The Yellow River is the cradle of the Chinese nation. It has nurtured Chinese civilization and nurtured Chinese children. Throughout the ages, literati in all previous dynasties regarded the "Yellow River" as a symbol of heroic and unyielding national spirit. This irreplaceable totem significance has already penetrated into the bone marrow of Chinese children — — No matter where we are, it is not blood that flows in our veins, but the water of the Yellow River.

　　The Media Tea Party noticed that many viewers enjoyed the third movement of The Yellow River Cantata for the first time because of the classic chant, which was a recitation of a poem with music, beginning with Li Bai’s classic poem "how the Yellow River’s waters move out of heaven". At that time, Mr. Guangweiran complained bitterly about the national disaster with nostalgia and praised the heroes of the times, which made this work with the "Yellow River" as the spiritual carrier have unprecedented depth and vastness.

　　Classics can talk to the past or wave to the future. Therefore, every time the The Yellow River Cantata resounds, a mighty national memory will flow in our mind, and the roaring of the Yellow River, which has been baptized by war, has multiplied the inspiring power. This long-standing cultural identity is unforgettable and unswerving. The Yellow River Cantata is reappeared in Classic Poems, in order to make the water of the Yellow River surge in our hearts forever, and provide a strong spiritual incentive for moving forward.

　　"Eighty years ago, the Yellow River roared, sending out the voice of national salvation; Eighty years later, the Yellow River roared and sounded the horn of the great rejuvenation of the nation. "This is the simple voice shared by the 98-year-old Li Yifei.

　　Zhang Andong, the son of Mr. Guangweiran, also said with emotion in Classic Ode: "A foreigner says that a nation that can create The Yellow River Cantata is an unyielding nation. What I want to say is that a nation that can continue to perform this work for 80 years is a great nation; A nation that can continue to inherit the spirit of The Yellow River Cantata should be a nation that creates brilliance. "

　　Bacon casts souls,

　　Literary and art workers should be portraits, biographies and virtues of the times.

　　In 1939, when Xian Xinghai was visiting a young poet lying in his hospital bed, he heard the recitation "Ode to the Yellow River" about the roaring and rushing of the Yellow River, and immediately his thoughts surged and he completed the The Yellow River Cantata.

　　The reason why this work is awesome lies not only in the content itself, but also in the hardships and sincerity of behind-the-scenes creation. In the past, artists of the older generation in Yan ‘an used petrol cans as bass, tea pots as percussion music and bullet casings as sound flutes & HELIP; … In the extremely simple environment, they played a voice for the public with their heart, affection and hard work, and deeply engraved their works in the memory of the times of all Chinese people.

　　At the first performance, the auditorium was very small, and a program had to be performed 17 times before the audience could watch it in turn. Many times, they climb mountains and perform for soldiers, militiamen and women on earthen platforms.

　　"Classic Chanting" shows the musical instruments found in Harbin Conservatory of Music and used in that year’s performance. When the copied "oil drum bass" was played on the stage, the timbre was so clumsy, but everyone fell silent. The program sensibly makes everyone realize that the artists of that year were performing the sacredness in their hearts and expressing their love in flames under what difficult conditions. Li Yifei proudly said: "This is the creation of our musicians!"

　　The Yellow River Cantata’s "roaring" again is an inspiration in revisiting and a torture in contemplation. Any nation can not achieve national prosperity and stand among the nations in the world without the active guidance and strong support of its own excellent culture — — Do today’s cultural and literary workers really shoulder the important responsibility of enlightening thoughts, cultivating sentiment and moistening the soul, and truly undertake the mission of the times of educating people with culture, educating people with literature and cultivating people with literature?

　　Mr. Xian Xinghai once said: "Our folk songs are not folk tunes, but people’s songs." Today, this still guides our artistic creation: only when the works are closely combined with a country, a nation and an era can we truly have the vitality that reaches people’s hearts and surges.

　　According to Media Tea Party, programs like Classic Chanting not only show the influence of traditional culture on Chinese people in the contemporary era, but also strengthen Chinese’s recognition of the culture we have inherited for many years. The new era calls for outstanding writers, artists and theorists. Literary and artistic creation has a vast space, and it insists on keeping pace with the times, taking the people as the center, dedicating people with fine products, and leading the fashion with mingde — — We expect more "The Sound of Endeavour" to be sung constantly, and become the next classic that will be circulated forever in the sigh of the times.

Autohome Yantai promotion channel brings good news, the current model is enjoying an unprecedented promotion in Yantai area. The maximum discount range is as high as 186,000 yuan, making the original high-end new energy luxury SUV XC90 more attractive. The starting price has been adjusted to a minimum of 708,900 yuan, providing car buyers with a very cost-effective choice. For more details or to get this great deal, just click the "Check the car price" button in the quotation form and let’s seize this rare opportunity together.

Volvo XC90 New Energy presents a stylish and elegant appearance with its unique design language. On the front face, the iconic Quake LED headlights complement the straight waterfall air intake grille, giving the vehicle a sense of power and technological charm. The overall style is exquisite and atmospheric, combining the clean lines and luxury of Nordic design, which leaves a deep impression. The details reveal the pursuit of environmental protection concepts, making the XC90 New Energy visually unique.

The sideways design is one of the distinguishing features of the Volvo XC90 New Energy. The body measures 4953mm x 1958mm x 1772mm and has a wheelbase of 2984mm, giving it a spacious interior and solid driving performance. The smooth and powerful lines on both sides outline the elegant profile of a luxury SUV. This model is matched with 275/45 R20 tires with moderate tire specifications, which not only provides good grip, but also complements the rim style, further enhancing the overall visual effect and driving stability.

In terms of interior, Volvo XC90 New Energy continues the simple style of Nordic luxury. The exquisite central control area is equipped with a 9-inch touch screen, which is clear and smooth to operate. It integrates functions such as multimedia system, navigation and phone, and supports automatic speech recognition, bringing convenient control experience to the driver. The steering wheel is made of high-quality leather material, providing a comfortable grip, while supporting manual up and down and front and rear adjustment to ensure the driver’s driving vision and comfort. In terms of seats, whether it is fabric or leather material, it reflects good comfort and durability. The front seats are rich in configuration, including heating, ventilation and massage functions, and the driver and passenger seats are also equipped with power seat memory to ensure the comfort of long-distance driving. The second row of seats also supports front and rear adjustment and backrest adjustment, providing high space utilization and flexibility. In addition, the front row is equipped with USB and Type-C interfaces, as well as wireless charging functions for mobile phones, meeting the diverse needs of modern technology users.

Volvo XC90 New Energy is equipped with a 2.0T turbocharged engine with a maximum power of 228 kilowatts and a maximum torque of 400 Nm, providing a strong power output. This engine is equipped with 310 horsepower and an 8-speed automatic transmission to ensure smooth and efficient driving of the vehicle.

Summarizing the evaluation of the owner of Autohome, we can conclude that he is full of praise for the exterior design of the Volvo XC90 new energy, especially the simple atmosphere of the body line and the iconic Thor’s hammer headlights and Viking axe, which make him very satisfied. The owner thinks that the design of the front of the car is particularly attractive, far exceeding the rear part. Such an excellent appearance and unique design details undoubtedly add endless charm to this luxury new energy SUV, making it stand out among many choices and become the ideal choice for the owner.

　　CCTV News:Eat and live, and then say "yes". Although the price of accommodation in some places has increased this year’s holiday, through big data, it is found that the price increase is a minority, which is the most popular place. Judging from the overall transaction price of the Internet, whether it is the ticket price for hotel accommodation or long-distance travel, this "eleventh" experience of tourists is basically four words: good quality and low price.

　　Big data analysis shows that compared with last year, the average price of nearly half of the top 20 cities in terms of hotel and tourism products sales has declined. Among them, Guangzhou has dropped by 20%, and the prices of Chongqing, Lijiang and Hangzhou, traditional tourist hotspots, have also dropped by more than 10%.

　　Not only accommodation, but also air tickets fell. In order to strengthen the epidemic prevention and control, this year’s "Eleventh" provincial tour, short-distance tour occupied the dominant position in the tourism market, and the cooling of long-distance travel made the air ticket price appear many concessions.

　　Internet travel data shows that at the end of September, the average ticket issued from Beijing to Sanya during the National Day was only 1,076 yuan in one week, which was 608 yuan lower than the same period in 2020, a decrease of 36%; Shanghai to Sanya is 816 yuan, a third lower than that in 2020; Like Guangzhou — Kunming and Chengdu — Popular routes such as Urumqi have also dropped by more than 10%. On the whole, the average price of air tickets during the "Eleventh" Golden Week dropped to a certain extent compared with the same period last year.

On April 29, 2016, at the third "April 29 Capital Cyber Security Day" Network and Information Security Expo in Beijing, Yidao Network announced that the era of password-free security authentication had begun. Photo courtesy /CFP

Security is the premise of development, development is the guarantee of security, and security and development should be promoted simultaneously. At the beginning of this century, Americans once said: "The biggest mistake in network security is that in the past twenty years, the first generation of users of information technology were not influenced by safe methods and viewpoints, but they will lead the next twenty years." We also need to think about how to establish a national awareness of cybersecurity and strengthen our faith and belief in national security.

In his speech, the Supreme Leader General Secretary analyzed and interpreted the basic laws of network security in a large space, expounded the essence and core elements of network security in an all-round way, excavated the universal connection and dialectical unity in the contradiction of network security attack and defense game, put forward the dialectics of network security, and pointed out the direction for the development of network security. The Central Network Information Office organized experts, scholars and insiders in the Internet field to conduct in-depth study and discussion on the issues of network security and development.

　Network security and literacy, starting with dolls.

Yang Lin, a researcher at a research institute of the People’s Liberation Army in Beijing, has a deep memory of the general secretary’s statement that "cyber security is for the people and cyber security depends on the people" and "I didn’t realize that risk is the biggest risk". He suggested strengthening the cultivation of cyber security awareness among the broad masses of the people. "The world outlook is formed at an early age, and the world outlook in cyberspace should also start from a doll. Starting from primary school, we should help our children establish a correct concept of network and security, cultivate and educate children with our own teaching materials, plant safe seeds in the process of growing up, and plant safe genes in the depths of their minds, so that the successors of the motherland can not only have strong network trust ability and network trust quality, but also build a solid network defense line in the depths of their minds and souls, so that children can grow up.

Jin Jianbin, secretary of the Party Committee of Tsinghua University School of Journalism and Communication, believes that the concept of network security involves countries, enterprises, organizations and individuals. In the network age, it is particularly important to ensure the security of national and basic service facilities. We can start from three aspects: first, improve the core technology configuration and research and development ability of the network. The second is to improve the management system, which is the foundation of ensuring safety. Now many loopholes come from imperfect management. Third, we should also pay special attention to several types of subjects: at the national level, we can make some strategic configurations to serve the country’s major strategies; At the enterprise level, we should ensure the safety of users and all aspects of data, and emphasize the social responsibility and national consciousness of enterprises; Personally, leading cadres and technical experts at all levels need to improve their awareness of network security. Power and ability mean risks and responsibilities. It is suggested that training on network security should be strengthened to improve the awareness of network security of leading cadres, and network security awareness, or network information literacy, should become the basic quality of cadres. Experts, scholars and researchers also need to enhance their awareness of network security. Although our current management is constantly strengthening, the reality is still not optimistic. On the one hand, the situation in the country is excellent, but on the other hand, there are many risk points at all levels from individuals to the country. Strengthening the awareness of network security of the whole people has become a major issue for the whole society.

Yun Xiaochun, who has been engaged in professional network security for a long time, has a very deep understanding: now the demand for network security is growing in all walks of life, and the whole society is shouting "internet plus". Then, after the appearance of "internet plus", there is a very big feeling from the perspective of security. Previously, it was said that network security is a security issue in cyberspace. After the "internet plus", security issues gradually penetrated into traditional fields from cyberspace, such as finance and finance.

　Technology to technology, technology to manage technology.

"If you don’t master the core hardware technology and operating system, there will be no secrets for an Internet power like China, and there will be no security." Zhang Xinjian, president of China Internet Service Place Industry Association, was deeply touched by the discussion of the core technology of the Supreme Leader General Secretary. China is in the forefront of the world in the field of Internet, but China is not the founder of Internet technology, and the core technology and root server of the Internet are still in the hands of developed countries such as Europe and America. He said that Internet security must be based on infrastructure with independent intellectual property rights, and China must persist in innovation-driven, strengthen basic research, and break through core technologies.

Xiao Xinguang, an "anti-virus veteran", is far-sighted that China should establish its own core technology in the information field as soon as possible. He believes that anti-virus engine is the core technology in network security detection technology. Complex structure, high development and maintenance, need to make up your mind to develop and have persistent maintenance, and mobile anti-virus engine is a new highland and new focus. "China’s network security technology is not unlicensed, but has reached or approached the international advanced level in terms of anti-virus engine, active defense, mobile security and security big data analysis. Although some single-point technical advantages are not worthy of our arrogance, there is no need to sell ourselves short. The superior technical points can be connected into superior technical points. If the competent safety enterprises can cooperate effectively, they can gradually form a benign safety ecology and industrial cluster. "

360 has a large number of users around the world, with not only more than 9 billion file samples, but also 9 million new samples every day. Therefore, it has some all-weather and all-round ability to perceive the network security situation and can serve the key infrastructure and security construction of the country. Shi Xiaohong, vice president of Qihoo 360, promised that 360 is willing to show its technical capabilities in big data, analytical capabilities, visualization, etc., promote big data sharing, participate in the security of key information infrastructure, and improve the country’s overall security and defense capabilities.

　Standardize legislation and implement the responsibility system for network security

To promote the security and development of the Internet together, it is necessary to establish a basic legal system in the Internet field, one is the basic facility guarantee, and the other is the basic legal system. In recent years, China’s Internet legislation has made great progress, but it still lags behind the real development, which is the biggest security risk. Establish a basic legal system in the Internet field, protect the legitimate rights and interests of citizens and institutions, crack down on illegal and criminal activities using the Internet, establish and improve laws and regulations in the Internet field from the perspective of safeguarding national security and sovereignty, and safeguard the long-term stability of the country.

Fu Ruyi, chairman of Zhejiang Yuanwang Information, suggested implementing the top-level design of China’s information security system and put forward four specific measures. "First of all, strengthen the design of China’s information security guarantee system from the aspects of laws, regulations and policies, and clarify the functions and objectives at all levels; Secondly, improve the organizational system and management mechanism of information security management at all levels, and explore new ideas and methods of risk-driven security, problem-driven security and performance-driven security with the network information office as the leader, so as to form China’s information security governance system as soon as possible; Third, standardize healthy development through industrial planning and standard guidance, and at the same time build a reasonable mechanism at the market level, especially the talent attraction and incentive mechanism to avoid homogeneous development; Fourth, to grasp the bull’s nose of information security management is to solve the information security management problems with management guidance, a scientific and reasonable security index system and information security governance framework, and build a system with visible risks, tangible problems, responsibilities and operational processes in combination with China’s information security work to strengthen the implementation of responsibilities, improve management efficiency and solve existing problems in information security management. "

Strengthen social mobilization and build a network security space together. General Secretary of the Supreme Leader said that the maintenance of cyberspace needs the joint participation of the government, netizens and social organizations, so that all netizens in Qian Qian can participate in the action of maintaining network security. Network social organizations should do a good job in the fields of network security, financial security, cultural security and the health of minors in cyberspace, and be good at exerting the power of non-governmental organizations. Cooperate with relevant departments by means of social governance to effectively spread positive energy.

As a representative of industry organizations, Li Yuxiao, secretary general of China Cyberspace Security Association, said that in establishing a correct concept of cybersecurity, the association should not only take the lead, but also play a role of publicity and guidance. It is necessary to strengthen the confrontation exercise of network security, and plan to form an industry-wide security situation report, and do a good job in analysis, judgment and support. Continue to discover and organize network security talents and establish a nationwide network security emergency response mechanism. The association will guide the self-discipline behavior of the network security industry in the form of formulating and issuing self-discipline and autonomy initiatives and conventions for network security enterprises. The association will also play an active role in promoting exchanges and cooperation between international trade organizations. (Text/Zhao Yanwei)

On July 8, another brand-new masterpiece of light-chasing animation landed in the "summer file" in 2023 on time, adding another cornerstone to the road of the rise of the country. Unlike the previous series of films "The White Snake Universe" and "The Goddess Universe", "Three Wan Li in Chang ‘an" pays more attention to historical facts. With the narrative strategy of the intersection of reality and reality, the multi-dimensional characters and tang style’s aesthetic style, the creative team wrote the epic of the rise and fall of the Tang Dynasty and splashed ink to describe the feelings of Chang ‘an and Wan Li.

Narrative strategy of the intersection of reality and reality

The story of Three Wan Li in Chang ‘an begins in the border area with crisis after An Shi Rebellion. At that time, Cheng Yuanzhen, a military supervisor, proved Gao Shi’s loyalty and patriotism and led him to recall his life with Li Bai. At this point, the main plot is unfolded in the poem "Mochow has no confidant in the road ahead, and no one in the world knows Jun". The ancient and the present, the virtual and the real together constructed the history of the Tang Dynasty from prosperity to decline, and the truth, falsehood and all kinds of changes during this period were also free for later generations to comment. This arrangement not only gives the audience a sense of participation, but also adds to the legend of the film.

The sense of intersection between reality and fiction in Three Wan Li in Chang ‘an mainly stems from its unique perspective of recollection and narration. The film adopts the narrative mode of "two male masters", traces back his life with Li Bai through the mouth of high comfort in his later years, and takes the friendship between them as an opportunity to explain the history of the Tang Dynasty from prosperity to decline. The third-person narrative perspective gives the film a kind of alienation effect. The audience stared at Tang Shi and the Tang people from the sidelines, writing legendary epics for the Tang Dynasty and legendary poems for Li Bai. As a narrator, Gao Shi is pragmatic and "grounded". Unlike Li Bai, he does not talk about the heavenly palace, immortals and Taoism, but tries to describe those real and substantial things as much as possible. Therefore, the film highlights the importance of narrative space. From the microscopic point of view, Chang ‘an Three Wan Li adopts repetitive narrative techniques, presenting the same space in different situations for many times, and showing the historical process of the rise and fall of the Tang Dynasty and the transition of the characters’ emotions. In the film, Gao Shi went back to Liangyuan three times, went to the Yellow Crane Tower three times, went to Chang ‘an three times and went to Yangzhou two times. Every time he went and left, he was closely related to Li Bai and the progress of the times. "Born in Sri Lanka, grew up in Sri Lanka, died in Sri Lanka, and was remembered in Sri Lanka. His soul is full of qi, and there are those who die." As a place where Gao Shi grew up, Liangyuan is a spiritual place for Gao Shi to find himself and improve himself. However, the quiet years of Liangyuan were always disturbed by Li Bai, and his fame and downfall constantly stirred Gao Shi’s heart, thus pulling him out of Liangyuan. Or enjoy the prosperity of the Ming dynasty in the prosperous Tang dynasty, or sigh the choppy waves in the underground of the Tang dynasty.In the end, Gao Shi saw the brilliance of poetry in the prosperous Tang Dynasty and knew his ambition to serve the country. Seeing the women dancing on the high shelf in the smoke of war, I clearly felt the compassion of the people of Tang Dynasty in prosperous Chang ‘an. Seeing that Li Bai regards grief as nothing, cherishes a sincere and open-minded life, and determines the natural way that belongs to the mountains and rivers. From a macro perspective, Three Wan Li in Chang ‘an creates a dual narrative space in which memories and reality coexist, and integrates narrative time and narrative space, thus sketching the flow curve of time and depicting a colorful picture of history. In the meantime, the tension between Yin and Yang in the prosperous time of Chang ‘an converged into a narrative clue, and the decline of Daoming in the prosperous Tang Dynasty was closely related to the reasons such as the view of the gate, the prime minister in power and the loss of talented people. The film does not show cause and effect, but it is full of logic, which seems unexpected and reasonable.

The highlight of the film lies in its accurate grasp of narrative rhythm. First of all, the plot of the film is properly arranged. Although The Three Wan Li in Chang ‘an tells the story of the decline of the Tang Dynasty, it focuses on the growth and friendship between Gao Shi and Li Bai, and almost ignores the important events in court, only talking about the border difficulties directly related to Gao Shi. This arrangement shows the relationship between the times and people to the fullest. Secondly, the sad and happy narrative rhythm of the film also fully mobilized the audience’s emotions, which better served the narrative theme of the film: there are gorgeous chapters in prosperous times and heroes in troubled times. Generally speaking, the film presents two narrative themes, which emphasize the individual’s way of seeking the way and praise the inheritance of the article. On the one hand, Chang ‘an is a treasure-house for aspiring people to display their ambitions, and people represented by Gao Shi intend to go to Chang ‘an with lofty aspirations. However, the so-called "Three Wan Li" is actually a distant horizon. The prosperity and peace are like a dream bubble, and the decline of Chang ‘an is only in the morning and evening, which is very helpless. However, being a courtier, you should be loyal to what the king entrusts, and eventually retreat from the enemy. After the king’s affairs in the world, he filled himself with innocence, but he returned to heaven and earth, looking between mountains and rivers and poems, seeing heaven and earth, seeing all beings, seeing himself, finding his own way, doing his own way, and showing his way with articles. On the other hand, Chang ‘an, as the accommodation of famous poems of Tang Dynasty, shows the prosperity of Tang Dynasty. At the end of the film, Gao Shi embraced "The Collection of the Heroes of the River Yue" and played the "Chang ‘an" flying flower order with his entourage, depicting the people and things, history and events behind the "Chang ‘an" poem.道与法，诉说着“文章千古事，得失寸心知”的真谛。也正因此，影片传递出一种悲情，这种悲，既是情绪之悲，即大时代下人物身不由己的宿命之悲；更是情感之悲，即反抗宿命而寻求自我的悲壮；还是情怀之悲，即兼具人道主义与人文关怀的悲悯。这种悲怆掩藏在乐观主义与豁达心境之下，并随着长安的故事层层递进，圈圈晕染而开，最终在文与道的和谐图谱中化为人文关怀，给人以温情之感。于是，故事寥寥几笔道出一众盛唐名人的悲惨结局；将杜甫置放在“春风得意马蹄疾，一日看尽长安花”的静好岁月中；让李白肩比彩云，同仙鹤归，在声声猿啼间，踏轻舟拍绿浪，乐辞白帝城。

Multi-dimensional characters

The reason why "Chang ‘an Three Wan Li" scored more than 8 points in Douban on the second day of its release lies in the pluralistic and three-dimensional characters created by the film. The film depicts the decline of the prosperous Tang Dynasty with memories of Gao Shi’s later years. With the development of his friendship with Li Bai, those figures who left a strong impression on the elegant charm of the Tang Dynasty appeared one by one, and embellished the paintings of the Tang Dynasty with scattered perspective, each interpreting his own anecdotes. In this way, "Three Wan Li in Chang ‘an" is like a picture of the Qingming Riverside only belonging to the Tang Dynasty. This scattered perspective style of creation endows the film with a synchronic sense, and Zhang Xu, He Zhizhang, Wu Daozi, Wang Wei, Du Fu and others gather together to show the prosperity of the Tang Dynasty. But the tragic ending of all the characters without exception once again highlights the historicity of the film. This can’t help but make people sigh. As long as poetry is there, Chang ‘an will be there. Even though time is fleeting, the ups and downs are common in the state, and Hua Zhang looks like water flowing from the east. With the help of media such as pen, ink, paper and inkstone, history will not be forgotten, and civilization will continue to last forever.

Three Wan Li in Chang ‘an also created two extremely three-dimensional characters, Li Bai and Gao Shi, which are intertextual with history and basically meet the aesthetic expectations of the audience. Li Bai is the "ceiling" of the romantic poets in the Tang Dynasty. His poems are fantastic and magnificent, and he is the image of a fallen immortal who is detached from the six realms in the eyes of the world. Different from previous cognition, Li Bai in the film is a little more "popular". He has pride in his heart, and will be ashamed of himself because of Cui Hao’s "Climbing the Yellow Crane Tower", and he is determined to write a good poem in Yangzhou; He has a stubborn temper, and together with Pei Twelve, he robbed Zhezhi dancers. He is confused and confused, and will ask Meng Haoran for the answer to whether he is adopted by wife or not; He may even make mistakes, indulge in drinking and forget the agreement with his friends. However, this complex image also highlights the contradiction of Li Bai from the side. He has a soul born and a heart to join the world. He hopes to show his ambition, but he can only wander between poetry and wine. Therefore, after he lived in seclusion in Lushan Mountain, he went out to write poems for Yongwang at his request. The design of this plot presents the arrogant Li Bai who can sing "Go out laughing in the sky" and the helpless Li Bai who can whisper "Don’t you see, how lovely locks in bright mirrors in high chambers, though silken-black at morning, have changed by night to snow" in history to the audience. Compared with Li Bai, Gao Shi’s characterization is more stylized. He was born in a humble background, inarticulate, and not a scholar, but hard work became his label, so he grew into a military commander who was independent and regained Chang ‘an.On Gao Shi’s body, the growth arc is shining. However, standing on the long river of history and looking at Gao Shi, he is just one of the sentient beings. In the film, he is more portrayed as a middleman. Standing in the middle of Chang ‘an history, he was the only one who saw prosperous Chang ‘an and ruins Chang ‘an. Standing in the middle of the development of poetry, he has a heart-to-heart relationship with Li Bai, a "poetic immortal", and with Du Fu, a poet who connects the elegant posture of Tang poetry with the documentary tendency of Tang poetry. In fact, Li Bai and Gao Shi are both similar and different. They met when they were young and had a good yearning for Chang ‘an, but since Yangzhou, they have embarked on their own paths. Nature, karma, Li Bai and Gao Shi seek different ways and do different things. The film puts the conflict between romanticism and historicism in the foreground, and once again hangs the issue of birth and accession to the WTO between the two people and the audience. At the same time, it also gives its own answer: the narrative of retiring from Tubo with high fitness and courage and the ending of traveling around the world with "The Collection of Heroes of the River Yue" make the birth and accession to the WTO reach a settlement, that is, the gentleman should take it for granted, as written in Li Bai’s "The Chivalrous Man", and "he can go to the WTO and hide his fame." In the film, Li Bai personally said that "Chivalrous Journey" was made according to Gao Shi’s image, which also showed Li Bai’s heart of joining the WTO. However, under the shadow of the times, Li Bai’s fate has long been doomed, and fatalism has cast a sadness on Li Bai. It is also in this situation that Gao Shi’s resistance to fate is even more tragic.Compassion for others is also more powerful.

Full of tang style’s aesthetic style.

"Three Wan Li in Chang ‘an" takes everyone back to the historical process of the Tang Dynasty from prosperity to decline with the help of Gao Shi’s mouth. Its memories began in the prosperous Tang Dynasty and ended in the late Tang Dynasty. The film shows the national aesthetics of the Tang Dynasty fashion.

When you first watch this film, the audience will be shocked by the elegant posture and unruly state of the weather in the prosperous Tang Dynasty. Zhang Xu and He Zhizhang in the Four Scholars of Wu Zhong, who are famous for their madness, associate with wine all day long, and their "cursive" works are also abandoned with their hearts, without the worldly turbidity of the world of mortals. Similar to the sense of emphasizing lines in calligraphy, Wu Daozi, the representative of the peak of Tang painting, also pursues to outline the charm of people and things with a few lines. He once said, "Everyone is close to expectation, but I am detached from painting. Everyone is attached to iconicity, and I am detached from vulgarity." It is true that the characters he painted have a round brushwork and the clothes are fluttering in the wind. This style of "Wu Dai Dangfeng" shows the character of the people in the prosperous Tang Dynasty to the fullest. In order to let the public better understand this style, ink painting is inserted from time to time in the film, which gives the picture enough sense of blank space, fully mobilizes the imagination of the audience, and makes it look white in the air and has its charm. Apart from painting and calligraphy, poetry is the label of the Tang Dynasty. Among them, Li Bai’s works are the pinnacle of the prosperous Tang Dynasty, and his romantic style is full of fairy tales and divorced from the secular world, which is the most typical representative of the prosperous Tang Dynasty.

The Tang Dynasty was an inclusive era, and harmony without diversity and eclecticism created prosperity. In the film, there are only dances, such as zhezhi dance and Hu Ji. The film also inherits the inclusiveness of the Tang Dynasty, and combines the cultures of poetry, calligraphy, dancing, painting and wine to visualize poems, which not only brings dramatic spectacle to the audience, but also tries to reproduce the mood and feelings of the characters at that time. Take the scene of Li Bai entering Taoism and drinking with Cenfuzi and Dan Qiusheng as an example. When Li Bai’s officialdom was frustrated and Confucianism could not be broken, he decided to enter Taoism. Although Li Bai was extremely depressed as a whole, his pride and immortal spirit accumulated in the prosperous Tang Dynasty still enabled him to create a masterpiece "Coming into Wine". The film incarnates the poem, which makes "Brewmaster" Li Bai see the distance of the temple in the colorful chaos and sigh the sorrow of life, but after tasting the wine, he is impressively open-minded and returns to sincerity. At this time, he is like Zhuangzi wandering freely, seeing through the secular world, and seeing Kun Peng soaring up to the Nine Wan Li and reaching the realm of being selfless, the God-man being useless and the saint being nameless.

The Tang Dynasty is an era of poetry. If we talk about the Tang Dynasty, we must talk about poetry. Three Wan Li in Chang ‘an presents the essence of Tang poetry in art and spirit respectively. One is image aesthetics. "The English of the text is fascinating, and there are shows and hidden ones, and those who are hidden are also important outside the text; The show is also the one who is the best in the article. " The film uses a large number of image symbols bearing emotion, which are grouped at a specific moment, so that it can be upgraded to artistic conception, so that the audience and the protagonist can be isomorphic, and the blank space can be seen in a limited picture, so that they can feel what they feel, think what they think, realize what they understand and appreciate the long aftertaste. Three Wan Li in Chang ‘an is in harmony with form, and images abound. For example, the bright moon in the cup, which refers to Gao Shi and Li Bai’s confused mood, makes the audience feel the helplessness of the two; Knowing An Lushan’s rebellious heart and trying to save Guo Ziyi, the red plum blooming in the snow represents Li Gao’s indomitable patriotic ambition and sincere loyalty to the monarch; The cranes in the air always around Li Bai set off Li Bai’s unrestrained and free mind in this life; In the war-torn Chang ‘an, the woman dancing on the high shelf can’t help but make people cry. Chang ‘an, a prosperous city, is ablaze in the morning and evening, and seems to be in ruins. The sadness is beyond words. The second is the spirit of poetry. On the one hand, the spirit of poetry is embodied in "everyone can write poetry". Even Gao Shi, who is born with defects, can make a famous sentence of "half of our men at the front were killed, but the other half are living, and still at the camp beautiful girls dance for them and sing".The poem boards that can be seen everywhere in the Yellow Crane Tower and the frontier fortress also show the flourishing state of poetry in the Tang Dynasty. On the other hand, the poetic spirit is isomorphic with Li Bai’s wild, free from vulgarity, optimism and open-mindedness. The film starts from "Everyone in the world knows the monarch" and ends with the flying flowers in Chang ‘an, which integrates poetry into the history of Chang ‘an’s rise and fall, and shows the infinite vitality of poetry.

In the Tang dynasty, people had the joy of being an official, but also the sadness of losing their ambition; There are joys of fame and sorrows of inaction; There are joys of making friends and sorrows of loneliness, and people’s joys and sorrows are like the moon’s full moon. Although the film does not express feelings directly, it shows feelings everywhere in the narrative. Its main line is to start from questioning friendship, love for national conditions and loyalty to the monarch, and to prove the truth of friendship and express the sorrow of the times in the promotion and development of memory and history. Based on the present situation and reviewing the development history of Chinese civilization, Chang ‘an Three Wan Li is undoubtedly another masterpiece of creative transformation and innovative development of Chinese excellent traditional culture. The "universe of Tang poetry" created by it strongly demonstrates the cultural self-confidence of the Chinese nation, and highlights the enterprising spirit of the Chinese nation to be upright and not conservative, and to respect the ancient and not retro. Because "Three Wan Li in Chang ‘an" has stirred people’s hearts for a long time, we are even more convinced that in the future, Guo Man will continue to exert his efforts to promote national aesthetics, produce more masterpieces, and promote the high-quality development of "China Animation School". (Author: Zhang Jingwu, a professor and doctoral supervisor at School of Communication, Fujian Normal University; Wang Wen, a graduate student majoring in drama, film and television, School of Communication, Fujian Normal University)

It only took one year for Warrior Technology to launch its brand and concept car, and now it is officially listed on Warrior 917. I can’t help sighing the "China speed" today. This brand-new high-end new energy off-road brand is not only born under the military aura of Dongfeng Warrior brand, but also has the current first-class new energy off-road technology level, which adds a touch of mystery to the birth of the brand and new car.

Although the starting price of Warrior 917 is as high as 637,700 yuan, in today’s marketing, the popularity is still determined by big waves. In the era when products speak, the final success or failure cannot be determined by creating market segments alone. So how does this new car perform? Let’s have a test drive experience through the extended version of the main pin.

"Hero Soul" military elements are highly recognizable, and the off-road functionality is full.

In today’s cross-country trend, the "male soul" aesthetic design language of Warrior 917 can be described as a soul. Neither the roundness of most new energy vehicles nor the founder of traditional hard-core SUV, it appears in front of us in a sports mecha style, which is very unique.

The angular modeling elements even retain the design consideration of the "bullet-facing surface" of military vehicles, creating a unique visual feeling of diving.

In terms of details, the first-class and taillights of the new car adopt the design concepts of "Ge" and "Jian", and the lighting effect is highly recognizable. In addition to the exposure of the door hinge, which is essential for a hard-core off-road vehicle, the hidden door handle of a new energy vehicle is also used.

In terms of function, the original competitive front and rear bumpers can be described as one step, which directly gives the new car very exaggerated off-road parameters. In the standard posture, its approach angle and departure angle reach 31 degrees, the passing angle is 19.7 degrees, and the minimum ground clearance is 221 mm; Under the extreme off-road extrication posture, the approach angle, passing angle and departure angle can reach 36.8 degrees, 27.9 degrees and 37.5 degrees respectively, and the wading depth can reach 900 mm..

This extreme working condition is supported by the air suspension with an adjustment range of -45 to 105 mm. At the same time, in order to meet the needs of vehicles with curb weight exceeding 3 tons, the diameter of the thick air suspension even reaches 150mm, which is very spectacular.

Pirelli SCORPION series all-terrain tires can be installed at the original factory of the new car, and even the 275/65 R20 tires can be upgraded to a wider 295mm, and the anti-tripping wheels can be used to further ensure the grip and safety under off-road conditions. However, although AT tires have good scratch resistance, I still hope that the original factory can provide the option of external spare tires in the future, saving the trouble of self-preparation.

In addition, although the infrared camera is not exclusive to military vehicles, this function has been used in many flagship models of luxury brands before, but it still has a strong high-tech feeling when used in new cars. Except at night, it still has good practicability in road conditions where the line of sight is blocked, such as rain, fog and dust, and with good vehicle and pedestrian recognition ability, the anti-interference ability of the driver assistance system is further improved.

In addition, the new car also provides a large number of optional packages, including Hawkeye UAV, luggage rack, roof expansion platform kit, side ladder, front auxiliary lighting, electric side pedal and electric winch, which greatly enriches the personalized and advanced off-road needs.

The interior style is simple, and the atmosphere is mechanical and scientific.

The interior of the new car adopts a simple and atmospheric design style. While having three LCD screens and HUD, it also retains a large number of commonly used physical buttons, including air conditioning temperature, panoramic image, ESP, front and rear differential lock, steep slope descent, crab walking mode and automatic parking function. For a model that focuses on off-road, it is particularly important to facilitate blind exercise.

The steering wheel of the new car has a lot of multi-functional physical buttons, and the infrared system and the driving mode of the road can be easily adjusted with one button.

The adjustment of gear lever, suspension height and off-road mode is designed in the center of the front row in the form of aircraft operating handle, which is very ceremonial to operate, especially when shifting gears, the gear position display of mechanical rotation is quite visual and cool.

The pistol-shaped door handle still has high playability, and the sound effect of loading bullets when closing the door is also very unique.

The configuration of the new car is quite full, including M-Link intelligent network connection system, L2+ driver assistance system, electrically adjustable steering wheel, Nappa leather seat, multi-directional electrically adjustable front and rear seats with heating/ventilation/massage function, fragrance system, 16-speaker Dana Confidence series audio, air purification system and streaming media rearview mirror, etc., which fully meet the expectations of models with a price of more than 600,000.

The vehicle adopts the design of front and rear double skylights, which gives the rear passengers higher autonomy. However, it is a pity that although the rear control screen of the new car can adjust the functions such as the sunroof and seats in the rear, it does not have an independent air conditioning temperature zone.

The interior space is excellent and the trunk material is very practical.

For a large-scale new energy SUV, there is obviously no need to worry about the interior space, not to mention the width of the new car has reached 2080mm, and the lateral space inside the car is extremely advantageous.

The 178cm experiencer has a head space of one punch in the front row, and a head space of one punch and two fingers and a leg space of about two and a half punches in the back row. In addition, the nearly flat floor in the back row also provides a very loose foot space in the center, and it is not crowded with five people.

In addition, it is worth mentioning that the side of the trunk of the new car not only has a one-button down of the rear seat, a suspension adjustment button and a 220V power interface, but also uses scratch-resistant and waterproof materials on the floor and the back of the seat, fully considering the needs of outdoor camping and off-road use.

1.5T gearbox +3 motor with 2-speed gearbox.

The extended range version of Warrior 917 adopts a 1.5T range finder and a three-motor power system with a front 1/ rear 2 layout. The total power of the three motors reaches 816 HP, and the peak torque can reach 1050 Nm. Together with the second-speed gearbox, it can bring extremely high rim torque, and the power parameters are very eye-catching.

Although the whole test drive experience has no road conditions to test the dynamic performance of the new car at the start of ejection, the whole road experience is carried out by formations on the national highway, but according to such dynamic data, the official acceleration of 6 seconds is not difficult to achieve.

Even if the new car weighs more than 3 tons, its power performance is still light and carefree. At the same time, the unusual comfort mode adjusts the motor to an output characteristic that is very suitable for daily commuting. The response of the accelerator pedal and the linearity of the output are very strong, which is easy to get started and improve the driving comfort, much like the experience of a large-displacement self-priming engine.

In addition to the dynamic performance, the steering, braking and suspension of the vehicle are all related to the driving mode, so that the overall driving and control experience of the vehicle can be unified. Unlike many electric cars, the power is very strong, but the steering and suspension pay more attention to comfort and have a strong sense of disconnection.

In addition, although the new car uses a non-loaded body, in order to support the weight of 3 tons, it adopts a strong supporting, that is, hard front and rear double wishbone independent suspension. Therefore, it retains a certain sense of suspension of the "girder vehicle" and has better road performance, but at a slight sacrifice in comfort.

Compared with the traditional hard-core SUV on the road, the sense of isolation will be weaker and the sense of road will be clearer, but it does not mean that the new car will be very bumpy, especially on the road with good road conditions.

On the unpaved road surface when crossing, the high-frequency bump filtering of gravel road will be slightly weaker than that of traditional hard-core SUV, and the body feeling in the car is still obvious; Including the left and right shaking of the potholed road surface, a certain buffer is sacrificed for the support of the suspension.

Because of this, the vehicle can cope with most potholes and climbing road conditions without supporting the bottom without adjusting the height of the air suspension. In addition, the all-terrain feedback system can actively identify the road conditions and automatically adjust the mode, so that the off-road white can easily drive the Warrior 917 to go off-road.

In addition, the new car adopts a steer-by-wire system at the rear wheel, and the maximum angle can reach 10.6 degrees. Not only can the turning radius be reduced to 5.1 meters by the reverse angle, but also the crab walk can be achieved by the same angle, and it can be easily translated in some narrow spaces. However, the actual effect of this model is still directly bound with the steering angle, and I look forward to a bigger angle to bring more practicality in the future.

Written at the end: Although this experience can’t give full play to the real strength of the Warrior 917, it can’t use the extreme off-road posture of the new car and the front and rear locks, but it is because of the relaxed experience and "fool-like" operation that we see its infinite potential. Such off-road ability, combined with unique design and endorsement of military brands, also makes it a great off-road toy with great personality.